한국의류학회지 (Journal of the Korean Society of Clothing and Textiles)

  • 제46권1호
  • /
  • Pages.49-62
  • /
  • 2022
  • /
  • 1225-1151(pISSN)
  • /
  • 2234-0793(eISSN)
한국의류학회 (The Korean Society of Clothing and Textiles)
권호 표지
DOI QR코드

DOI QR Code

보물 자수가사의 제작 시기와 배경 고찰

A Study of the Era and Background of Embroidered Kasaya, Designated as a Treasure in South Korea

  • 안보연 (국립문화재연구소 문화재보존과학센터/이화여자대학교 의류산업학과) ;
  • 홍나영 (이화여자대학교 의류산업학과)
  • An, Boyeon (Cultural Heritage Conservation Science Center, National Research Institute of Cultural Heritage/Dept. of Fashion Industry, Ewha Womans University) ;
  • Hong, Na Young (Dept. of Fashion Industry, Ewha Womans University)
  • 투고 : 2021.08.20
  • 심사 : 2021.11.30
  • 발행 : 2022.02.28
PDF 다운로드
⟨ 이전 논문 다음 논문 ⟩

초록

The embroidered Kasaya is the twenty-five column Kasaya of Triratna: Buddha, Dharma, and Sangha. Even though it is a representative artifact of embroidery, the method of manufacturing heavily depends on the collector's reports. This study focuses on the prayer's recorder: Gonmyeong Park, born in Muja, and Ven. Haebung, who acted as a historical investigator of embroidered Kasaya. The beginning of Haebung's public record was in 1815, and his entrance into nirvana in 1826. The birth year of prayer in Muja was 1768. Therefore, the embroidered Kasaya was manufactured at the end of the 18th century or the early 19th century. Haebung appears to have played a critical role in historical investigation, and consequently the 125 icons of Triratna are almost identical in three treasures: the Kasaya at Seonamsa Temple, the embroidered Kasaya, and the painting of the embroidered Kasaya at Cheongnyongsa Temple. The embroidered Kasaya was particularly affected by the religion of a thousand Buddhas and by Triratna in the late Joseon era. Unlike the Kasaya of a thousand Buddhas in the Ming and Qing Dynasties, the embroidered Kasaya shows the Triratna in detail, suggesting that the icons of Triratna were newly created.

키워드

과제정보

본 논문은 국립문화재연구소 문화유산 융복합연구(R&D)사업의 지원을 받아 이루어졌으며, 사진 제공을 해주신 서울공예박물관, 청룡사, 장황문화재연구소에도 특별히 감사를 전한다

참고문헌

  1. An, B., Jun, E., & Oh, S. (2021). Identifying the era of the pouch for the Sutra embroidered with a sun and moon design on the basis of formative characteristics and prayer words. Journal of the Korean Society of Costume, 71(3), 92-110. doi:10.7233/jksc.2021.71.3.092
  2. Association pour l'Etude et la Documentation des Textiles d'-Asie. (1996). Chinese Buddhist silks: 14th-18th century. Paris: Author.
  3. British Library. (n.d.). Stein collection. British Library. Retrieved from https://www.bl.uk/collection-guides/stein-collection#
  4. Choi, J.-i. (2017). A study on faith for jewel of Sangha and three jewels 三寶. Journal of The Pure Land Buddhism Studies, 27, 9-42.
  5. Choi, J.-N. (2016). A comparative study for classifications of the collections in Chinese & Tibetan Buddhist sutra lists and Shinpyeonjejonggyojangchongrok. Journal of the Institute of Bibliography, 67, 119-146. doi:10.17258/jib.2016.67.119
  6. Choi, S. I., & Hong, E. M. (2018, January 11). 잃고 잊은성보들, 제자리로오려면[Lost and forgotten sacred treasures, to return to their place]. 현대불교 [Hyundai-Bulgyo]. Retrieved from http://www.hyunbulnews.com/news/articleView.html?idxno=294766
  7. Chung, Y. Y. (2004). 동양자수의근원과역사 [The origin and history of oriental embroidery] (H.-r. Jung, Ed.). Seoul: Sookmyung Women's University Press.
  8. Colins, D. (2017). Case studies: Mounting and display of textiles and dress [Unpublished presentation] [PDF document]. IICITCC 2017 Programme: Textile Conservation, Beijing. Retrieved from https://www.iiconservation.org/sites/default/files/news/attachments/8576-iic-itcc_2017_dc_mounting_and_display_of_textiles_and_dress.pdf
  9. Cultural Heritage Administration. (2006). 문화재대관: 중요민속자료2: 복식·자수편 [A view of National Cultural Heritage: Important Folk Material 2: Dress & embroidery]. Daejeon: Author.
  10. Cultural Heritage Administration. (n.d.). Buddhist Painting of Seonamsa Temple, Suncheon (Thirty Three Patriarchs). Cultural Heritage Administration. Retrieved from http://english.cha.go.kr/chaen/search/selectGeneralSearchDetail.do?mn=EN_02_02&sCcebKdcd=12&ccebAsno=15540000&sCcebCtcd=36&pageIndex=163®ion=1&canAsset=&ccebPcd1=&searchWrd=&startNum=&endNum=&stCcebAsdt=&enCcebAsdt=&canceled=&ccebKdcd=12&ccebCtcd=
  11. Editorial Committee for the Collection of Chinese Embroidery and Costume. (Eds.). (2004). Corpus of Chinese fabric, embroidery and finery 2: Embroidery. Tianjin: Tianjin People Fine Art Publishing Co., Ltd.
  12. Gong, Y.-J. (2003). A study on Icon of Thousand Buddha(千佛圖像) in Korea (Unpublished master's thesis). Dongguk University, Seoul.
  13. Han, S. S. (1983). 繡佛: 佛敎繡像과道場莊嚴 [Embroidery of Buddhism: Embroidery icon of Buddhism and majesty of Buddhist halls]. Seoul: Owolmuwhasa.
  14. Heo, G. (2013). 한국 전통 건축 장식의 비밀 [Secrets of traditional Korean architectural decorations]. Seoul: Daewonsa.
  15. Huh, D.-h. (1978). 韓國의刺繡 [Korean embroideries]. Seoul: Samsung Publishing.
  16. Huh, D.-h. (2006). 우리가 알아야 할 우리 규방 문화 [Korean Gyubang culture that we really need to know]. Seoul: Hyeonamsa.
  17. Hwang, I.-g. (2014). Founding & Designation of the Three Jewels Temples in Korean Buddhism; Buddha Sakyamuni: Tongdosa, Dhamma Dhaima: HaeinSa, Songha: SonggwangSa. Journal of Bojo Jinul and Buddhism, 41, 245-284. doi: 10.22859/bojoss.2014..41.008
  18. Invaluable. (2019, July 13). Lot 121: A Chinese Embroidered 'Thousand Buddha' Robe (Kasaya). Invaluable. Retrieved from https://www.invaluable.com/auction-lot/a-chinese-embroidered-thousand-buddha-robe-kasaya-121-c-a9a4f1f9c1
  19. Kim, M.-s. (2016). A contemporary interpretation of story of a thousand statues of Buddha in Daeheungsa of Haenam. Namdo Munhwa Yongu, 31, 411-436.
  20. Ko. J. (2008). A study on 'Painting of Multi-Buddhas' produced in the late Joseon Dynasty. BULKYOMISULSAHAK; Journal of Buddhist Art, 6, 7-39.
  21. Kwon, G. (n.d.). 陽村先生文集 [Yangchon's collection of writings].
  22. Kyoto National Museum. (Ed.). (2010). Transmitting robes, linking minds: The world of Buddhist Kasaya. Kyoto: Author.
  23. Kyoto National Museum. (Ed.). (2015). The Eastward expansion of Buddhism: Art of the Buddhist canon. Kyoto: Author.
  24. Lee, C. W. (2008). A study on Buddhist thoughts from The Korean Geumran robe-Focused on comparison between Uicheon National master and Sangwol Great patriarch- (Unpublished master's thesis). Dongguk University, Seoul.
  25. Lee, E. j. (2009). A study on the Buddhist painting offered a prayer of court lady in the late Joseon dynasty (Unpublished master's thesis). Dongguk University, Seoul.
  26. Lee, J.-H. (2015). A study on Chonbulsang(One Thousand Buddha images) of the Unified Silla Period. Prehistory and Ancient History, 44, 39-73. doi:10.23024/pah.2015..44.39
  27. Lee, S.-Y. (2010, March 6). 석가모니 금란가사 [Buddha's Kasaya decorated with Geumran]. Bulgyo Weekly Newspaper. Retrieved from http://www.ibulgyo.com/news/articleView.html?idxno=102264
  28. Lee, Y.-Y. (2005). Buddhist painting of Korea Chogyesa and its sub-temples. In Research Institute of Sungbo Cultural Heritage (Ed.), Buddhist paintings of Korea, Vol. 34 (pp. 185- 204). Yangsan: Research Institute of Sungbo Cultural Heritage.
  29. Limb, J.-u. (2014, January 10). Joseon Buddhist painting returns after 100 years. Korea.net. Retrieved from https://www.korea.net/NewsFocus/Culture/view?articleId=116979
  30. Moon, M.-d. (Ed.). (2001). The cave temple of Yun Kang. Seoul: Book First.
  31. National Museum of Korea, & The Hankook Ilbo. (1978). Korean embroideries: Selected from the collection of Park Young Sook. Seoul: Pyeonghwadang.
  32. National Museum, New Delhi. (n.d.). Central Asian Antiques: Thousand Buddhas figure. National Museum, New Delhi. Retrieved from http://14.143.90.243/nationalmuseum/en/collections/index/15
  33. National Research Institute of Cultural Heritage. (Ed.). (2011). Dictionary of Korean painters and calligraphers through the centuries. Daejeon: Author.
  34. Oh, H.-N. (2008). The treasure pattern on the textiles in Korea and China after fifteenth century (Unpublished master's thesis). Ewha Womans University, Seoul.
  35. Park, D.-c. (2010, December 8). 수락산 학림암-추사와 첫 만남[Suraksan Mountain Hakrimam Temple-First meeting with Chusa Kim Jung Hee]. Beopbo Weekly Newspaper. Retrieved from http://www.beopbo.com/news/articleView.html?idxno=63356#_enliple
  36. Park, Y. j. (2021). A study on Yuso of Buddhist Banners in the late Joseon Dynasty (Unpublished master's thesis). Wonkwang University, Iksan.
  37. Rasmussen, M. (2018, March 19). An embroidered silk thousand-Buddha robe (Kasaya). Bonhams. Retrieved from https://www.bonhams.com/auctions/24358/lot/3057/
  38. Ryu, K. (2015). A study on the Buddhist paintings produced under the patronage of the royal court in the late Joseon period (Unpublished doctoral dissertation). The Academy of Korean Studies, Seongnam.
  39. Shin, K. (2021). Study on Zen master worship and paintings - Focusing on Thirty-Three Zen Masters. Dongak Art History, (29), 7-31. doi:10.17300/dah.2021.29.1
  40. Shin, K.-h. (2016). Image of Arhat: Production and identity of Arhat in Korea. Journal of The Pure Land Buddhism Studies, 26, 43-84.
  41. Sim, Y.-O. (2017). Study on circumstance of manufacture and weaving characteristics of Housed by Seigan-ji in Japan. Journal of Korean Traditional Costume, 20(4), 153-166. doi:10.16885/jktc.2017.12.20.4.153
  42. Sudeok Temple Museum. (Ed.). (2006). Special exhibition by virtue of the finest threads. Yesan: Author.
  43. The British Musuem. (n.d.). MAS.911. textile; 紡織品 (Chinese). The British Museum. Retrieved from https://www.britishmuseum.org/collection/object/A_MAS-911
  44. The Cleveland Museum of Art. (n.d.). Buddhist Priest's Ceremonial Robe. The Cleveland Museum of Art. Retrieved from https://www.clevelandart.org/art/1987.57
  45. Tongdosa Museum. (1992). 韓國의 佛畫草本 [The religion of Buddhist Sarira and magnificence]. Yangsan: Author.
  46. Vainker, S. (2004). Chinese silk: A cultural history. London: The British Museum Press.
  47. Ven. Haebung. (2019). 해붕집 [Collection of Haebung] (D. J. Kim, Trans.). In Academy of Buddhist Studies Dongguk University (Ed.), 월파집.해붕집 [Collection of Wolpa· Collection of Haebung] (pp. 249-514). Seoul: Dongguk University Press. (Original work published n.d.)
  48. Ven. Songcheon, Lee, J. S., Her, S. H., & Kim, J. M. (Eds.). (2011). A collection of records from Buddhist paintings of Korea. Seoul: Research Institute of Sungbo Cultural Heritage.
  49. Ven. Taegyeong, & Cho, K.-y. (2011). 알기쉬운 불교용어 산책[Easy-to-understand Buddhist terminology walk]. Seoul: Yangsajae.
  50. Yang, E.-Y. (2013). 불교사상과 의례구조 [Buddhist thought and ritual structure]. Religions of Korea, 36, 187-210.