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Image System and Cross Relationship of Exhibition in 1953, "Parallel of Life and Art" - Smithsons' Juxtaposed 'Found images' and Constructed 'New Landscape' -

1953년 전시 "삶과 예술의 평행"의 이미지 체계와 교차 관계 - 스미슨의 '발견한 이미지들'의 공간적 병치를 통해 건축된 '새로운 풍경' -

  • Received : 2020.12.16
  • Accepted : 2021.06.16
  • Published : 2021.06.30

Abstract

The Exhibition "Parallel of Life and Art", held by Alison and Peter Smithson, Nigel Henderson and Eduardo Paolozzi, is one part of the early Brutalism discourse with House in Soho and Hunstanton middle school. The 122 unfamiliar image panels were hung in the exhibition, ICA in London. The editors of the exhibition, selected and arranged images and there were certain 'photographic image system'. This system constructs a series of cross relationships and creates 'the new landscape'. This study analyses Smithsons' discussions on Parallel of Life and Art, especially with 'Document 53', and examines how the exhibition worked as a manifesto for the New Brutalism.

Keywords

Acknowledgement

이 논문은 한양대학교 교내연구지원사업(HY-201800000003149), 그리고 2020년 정부(교육부) 재원으로 한국연구재단의 지원을 받아 수행된 기초연구사업(No. NRF-2020R1F1A1076290)으로 연구되었음.

References

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