Journal of Digital Convergence (디지털융복합연구)

The Society of Digital Policy and Management (한국디지털정책학회)
권호 표지
DOI QR코드

DOI QR Code

The Characteristics of Affective Turn in Media Arts through Relational Aesthetics -Centered on the Digital Works of TeamLab-

관계미학을 통한 미디어아트의 정동적 전회의 특성 -TeamLab의 디지털 작품을 중심으로-

  • Xiao, Lin (Dept. of Visual Contents, Graduate School of Dongseo University) ;
  • Lee, Hyun-Seok (Dept. of Visual Contents, Graduate School of Dongseo University)
  • 샤오린 (동서대학교 일반대학원 영상콘텐츠학과) ;
  • 이현석 (동서대학교 일반대학원 영상콘텐츠학과)
  • Received : 2020.11.03
  • Accepted : 2021.02.20
  • Published : 2021.02.28
Download PDF
⟨ Previous Next ⟩

Abstract

This study will attempt to analyze media art and discuss its main characteristics by using the concept based on Relational Aesthetics 'Affective Turn' as a basis of the theory. In addition, this study has some theoretical and practical implications, both in terms of the research and analysis of artworks and the structure development of art theories and aesthetics. To conduct the research, I have gone through a literature review on previous studies related to media art and Relational Aesthetics. Then, I have conducted a case study on the media art of TeamLab. This study shows that from the perspective of Relational Aesthetics, media art shows unique characteristics such as borderless and shareability. Moreover, it can allow the audience to actually 'feel' the relationship and integration between various objects. I hopethat this research could be used as a solid basis for future research and helpstrengthen the interaction between modern art and the public.

본 연구는 관계미학의 '정동적 전회(Affective Turn)'를 이론의 근거로 삼아 미디어아트 작품을 분석하고, 그 특성을 논하고자 한다. 디지털 예술작품에 대한 새로운 접근과 분석 방법을 시도함으로써 미디어 예술작품의 특성을 도출하였다는데에 실천적 의의를 갖는다. 이를 위한 본 연구의 전개는 미디어아트와 관계미학에 대해 문헌을 중심으로 고찰하고, 이를 기초하여 Teamlab의 미디어아트를 대상으로 사례연구를 진행한다. 본 연구는 가상현실과 증강현실을 이용한 미디어아트에 대한 관계 미학의 관점에서 분석한 결과 실제를 넘어선 보더리스(Borderless), 공유성의 특성을 보이고 있다. 이를 바탕으로 사람과 자연, 사람과 사회, 생물과 환경과의 관계를 연결하고, 관람객으로 하여금 사물과의 관계와 통합을 느끼게 한다. 새로운 미디어 예술에 관한 본 연구는 관련연구의 기초자료로써 활용되길 기대하며, 또한, 현대예술과 대중 간의 상호작용을 강화하는데 일조하기를 기대한다.

Keywords

References

  1. Po-Hsien Lin. (2009). Seeing Beyond Sight : The Illusory Reality in Digital Ar. Aesthetics & Art Science, 4, 167-179. DOI: 10.6296/JDC.2009.07.01.4
  2. Chia-Lun Liu. (2019). Digital Art Meets Children's Education : Review of the Learn and Play! Future Park Exhibition by Artist Collective teamLab. Museology Quarterly, 33, 99-113. DOI: 10.6686/JDC.2019.07.01.33(3)
  3. Ching-Yueh Tseng. (2018). Immersive experience of seamless virtual space: Virtual Reality. The Elementary Education Journal, 65, 105-120. DOI: 10.6701/JDC.2018.09.01.65(3)
  4. Emily Stokes-Rees. (2019). Exhibition Review Essay and Reviews. Museum Worlds, 7, 238-261. DOI: 10.3167/JDC.2019.07.01.7(1)
  5. Bourriaud. N, Hongjian Huang. (2013). Esthetique relationnelle. Beijing : Gold Wall Press.
  6. Colebrook, C, Hongfei Jian.(2014). Gilles Deleuze. Chongqing : Chongqing University Press.
  7. Minan Wang, Xiaoyan Guo. (2016). Production (11th Series) : Deleuze and Affect. Nanjing : Jiangsu People's Publishing House.
  8. Gilles Deleuze, Chonglin Gong. (2013). Spinoza et le probleme de l'expression. Beijing : CP.
  9. Gilles Deleuze, Felix Guattari, Yuhui Jiang. (2013). Capitalisme et schizophrenie II: Mille Plateaux. Shanghai : Shanghai Bookstore Publishing House.
  10. Marshall McLuhan, Daokuan He. (2019). Understanding Media: The Extensions of Man. Nanjing : YiLin Press.
  11. Chuanwu Huang. (2013). Introduction to New Media. Beijing : Communication University of China.
  12. Jacques aquet, Jie Liu. (2016). Jacques aquet . Beijing : CP.
  13. Adrian Parr. (2005). The Deleuze Dictionary. Edinburgh : Edinburgh University Press.
  14. Felix Guattari.Chaosmosis, Paul Bains and Julian Pefanis trans. (1995). An Ethico-aesthetic Paradigm. Indiana: Indiana University Press.
  15. Deleuze G, Guqttari F. A. (1987). Thousand Plateaus: Capitalism and Schizonphrenia. State of Minnesota: University of Minnesota Press.
  16. Hallwardr, (2006). Out of This World: Deleuze and the Philosophy of Creation. London: Verso Press.
  17. Burke, E. (1958). A philosophical inquiry into the origin of our ideas of thesublime and beautiful. New York: Columbia University Press.
  18. Barthes, R.(1981). Camera lucida: Reflections on photography. New York: Hill and Wang.
  19. Lim, Soo Hyun. Transformation and Expansion of Publicness through Digital Art - With a Focus on Digital Art Exhibition and -. Master dissertation. Pusan National University , Pusan.
  20. Kim Jae hwa,(2009). Interactive Media Art : A Study on Interactivity, Dissertation, Soongsil University.
  21. Heo Joo yeon, Lee Jung wook, (2016). A Study on Artistic Regeneration of Idle Spaces focused on Relational Aesthetics, Korea Institute of Interior Design Journal 25(6), 127-138 https://doi.org/10.14774/JKIID.2016.25.6.127
  22. Park Eun-ok, Shin Yoon-soo, Ryu Ho-kyung, Kim Jae-kwan, (2017). Positive Narrative Effect in Game Arts, The HCI Society of Korea Journal (Collection of Dissertations Presented in the HCI Society of Korea Academic Conference) , 2, 433-436
  23. Cho Sarah, (2017), A Study on the Criticism of International Art Exhibitions since the 1990s from the Perspective of Nicholas Bourrioud's Relational Aesthetics, Revue d'etudes francaises 99, 287-308.
  24. Oh Tae-won. (2018). The Interaction in Contemporary Art as seen from the Relational Art of Nicolas Bourriaud - With a Focus on Cases of Inter-media Art. The Korean Society of Science & Art 33, 149-160 https://doi.org/10.17548/ksaf.2018.03.30.149
  25. Baik Young-joo. (2018). Collaborative Dispositions of Participatory Arts in Contemporary Practices - Based on Nicolas Bourriaud's Notion of Post-Production. The Journal of the Korea Contents Association 18(6), 88-101 https://doi.org/10.5392/JKCA.2018.18.06.088
  26. TeamLab Borderless Site. https://team-lab.cn/zh-hant/e/360/
  27. TeamLab World | Dance! Art Museum, Learn&Play! Future Park. http://seoul.teamlabworld.com/
  28. Shifting Valley, Living Creatures of Flowers, Symbiotic Lives https://team-lab.cn/ko/w/shifting_valley_living_creatures/