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Plagiarism dispute Cases of Fashion Design and Undergraduate Students' Perceptions Regarding Plagiarism of Fashion Design

패션디자인의 표절 분쟁 사례와 대학생들의 패션디자인 표절에 대한 인식

  • Received : 2020.08.07
  • Accepted : 2020.10.05
  • Published : 2020.10.31

Abstract

Controversy and legal disputes over counterfeit fashion designs have recently arisen in the fashion industry. The purpose of this study is to examine cases of counterfeiting disputes over fashion designs, and how the perception of counterfeit fashion designs is fostered from the learner's point of view, suggesting implications for the counterfeiting problem. As a result of this study, first, counterfeiting disputes over fashion design started from a lack of utilization of the Design Protection Act and the ambiguity in counterfeit design criteria. Second, the negative perceptions of counterfeit designs were mainly about unethical behavior, inhibiting the growth of the fashion industry, and reducing consumers' willingness to buy the genuine article. Positive perceptions were mainly about the process of creation, the promotion of a developmental environment for the fashion industry, and the expansion of opportunities to promote new designs. The most common perception was the absence of clear criteria for judgments about counterfeiting. Third, the implications of the counterfeiting problem in fashion design require effective institutional improvement in the fashion industry, the establishment of standards to deal with counterfeiting, the development and practical introduction of education proposals regarding intellectual property rights, and changing the perception of counterfeiting in the fashion industry.

최근 패션산업에서 패션디자인의 표절과 관련된 논란과 법적 분쟁들이 끊임없이 발생하고 있다. 본 연구는 패션디자인에 대한 표절 분쟁들의 사례 탐색과 대학생들이 패션디자인의 표절에 대해 어떠한 인식을 함양하고 있는지 조명해보고, 패션디자인의 표절에 대한 함의점을 제시하는데 는데 목적이 있다. 연구방법 및 범위는 이론적 연구와 사례연구 및 서술응답조사를 병행하였다. 본 연구의 결과로 첫째, 패션디자인의 표절 분쟁들의 본질적인 문제는 기업적인 측면에서 디자인 보호법의 활용도 부족과 법제적 측면에서 디자인의 표절 기준의 모호함이 한계점으로 나타났다. 둘째, 디자인 표절에 대한 대학생들의 부정적인 인식으로는 비윤리적 행위, 패션 산업의 성장 저해, 소비자의 구매 의지 상실의 견해가 주를 이루었다. 디자인 표절에 대한 긍정적인 인식으로는 창조를 위한 과정, 패션산업의 발전적인 환경 조성, 디자인을 접할 기회의 확장의 견해가 주를 이루었다. 또한, 디자인의 표절의 원인은 표절에 대한 명확한 판단 기준의 부재에서 비롯된다는 인식을 가장 많이 갖고 있었다. 셋째, 패션디자인의 표절 문제에 대한 함의점은 정책적인 측면에서 패션 산업에 실효성 있는 제도적 개선, 학문적인 측면에서 패션디자인의 표절에 대한 명확한 기준의 정립, 교육적인 측면에서 지적재산권에 대한 교육안의 개발 및 실제적 도입, 패션산업적인 측면에서 패션분야에서 활동하는 종사자들의 표절에 대한 인식 전환이 필요하다.

Keywords

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