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An Introductory Study on Convergence of Traditional Chinese Paper-cutting Art and Contemporary Ceramic Decoration

중국전통 전지공예와 현대도자장식의 융합에 대한 연구

  • Xinqing, Li (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Zhengqi, Wei (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Peng, Yan (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Kim, Won-Suk (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Ro, Hae-Sin (Dept. of Formative Arts Design, Graduate School, Kongju university) ;
  • Kim, Sung-Min (Dept. of Formative Arts Design, Graduate School, Kongju university)
  • 이신청 (공주대학교 일반대학원 조형디자인학과) ;
  • 위정기 (공주대학교 일반대학원 조형디자인학과) ;
  • 엄붕 (공주대학교 일반대학원 조형디자인학과) ;
  • 김원석 (공주대학교 일반대학원 조형디자인학과) ;
  • 노혜신 (공주대학교 일반대학원 조형디자인학과) ;
  • 김성민 (공주대학교 일반대학원 조형디자인학과)
  • Received : 2020.06.30
  • Accepted : 2020.09.20
  • Published : 2020.09.28

Abstract

This study is an introductory study on Convergence of Traditional Chinese Paper-cutting Art and Contemporary Ceramic Decoration. As a part of Chinese folk art, now newly developed by the convergence of contemporary ceramic ar, today it promotes artists' creativity and find a alternative way for ceramic art. This mainly explore transition of 2 dimentional paper-cutting art into ceramic art. As a part of convergence art, this study suggest combination of 4 elements yin-yang-true-false with understanding of its history and contemporary status, and towards aesthetic values.

본 연구는 중국전통 전지공예와 현대도예의 융합을 시론적으로 다룬 것이다. 전지공예는 중국인이 오랫동안 일상에서 즐겨온 팝아트적 예술이며, 현대도자는 이로부터 창작의 소재와 모티브를 공급받아 작가의 창의성을 자극하며 도예의 새로운 길을 열고 있다. 순수한 평면예술인 전지공예는 도자기를 만나 3차원 공간으로 전이되어 새로운 예술언어로 번역되었으며 도자재료는 그 가소성과 수용성으로 말미암아 전지공예 내포하고 있는 음양허실의 조화는 물론 전지작품에 대한 새로운 해석까지 가능하게 하였다. 본 연구는 이와 같은 양자의 융합에 대한 경향성과 가능성을 보여주고 있다.

Keywords

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