DOI QR코드

DOI QR Code

Social Class in Modern Film Costumes -Focused on Bong Joon-Ho's -

영화 의상에 나타난 사회 계급의 표현 -봉준호 감독의 <기생충>을 중심으로-

  • Received : 2020.03.17
  • Accepted : 2020.07.11
  • Published : 2020.10.31

Abstract

This study examines how class differences are expressed through costumes based on the costumes of characters in Bong Joon-Ho's film . Based on Video on Demand (VOD), the main situations in which characters' costumes change in the play were captured and used as analysis data. Colors, textures, and color symbol were analyzed to find the formative properties shown in the characters' costumes. The results are as follows. The home wear of Kim's family were unsuitable for the top and bottom, faded clothes, and the vague boundary between outdoor and indoor clothes appeared. In comparison, Park's family's home wear was featured a modern and elegant design, a clear distinction that suited purpose and situation. Analysis of street wear showed that the Kim's family had a big difference before and after getting a job, and Park's family wore different costumes for the purpose of going out. Social class expressed in the film costumes were shown to have the characteristics of intrinsic class invariance, temporary class changes, differences in class expression by age, and differences in costume choice by class.

Keywords

References

  1. An, Y.-j. (2019). "Parasite" and crumbs: The semiotic comparative analysis between the figure non planifie in the film "Parasite" and the figure crumbs in the woman of Phenicia in Syria (Mk 7, 23-31). Semiotic Inquiry, 61, 157-186. doi:10.24825/SI.61.6
  2. Bourdieu, P. (1979). La distinction: Critique sociale du judement [Distinction: A social critique of the judgement of taste]. Paris: Les Editions de Minuit.
  3. Bourdieu, P., & Passeron, J.-C. (1977). Reproduction in education, society and culture. London and Beverley Hills: Sage Publications.
  4. Cho, H. (2019). as national allegory. Journal of The Korean Society of Civil Engineers, 67(10), 76-78.
  5. Choi, J.-h. (2015). Analysis of the contents concerning class and stratum in high school social & cultural textbooks. Journal of Educational Innovation Research, 25(3), 323-349.
  6. Choi, Y.-H., & Lee, K.-H. (2020). Informatics analysis of consumer reviews for Frozen 2 fashion collaboration products - Semantic networks and sentiment analysis -. The Research Journal of the Costume Culture, 28(2), 265-284. doi:10.29049/rjcc.2020.28.2.265
  7. Fiore, A. M., & Kimle, P. A. (1997). Understanding aesthetics for the merchandising & design professional. New York, NY: Fairchild Publications.
  8. Horn, M. J., & Gurel, L. M. (1981). The second skin: An interdisciplinary study of clothing (3rd ed.). Boston, MA: Houghton Mifflin.
  9. Im, S. Y. (2019, June 12). 최세연 의상감독, "문광의 옷…집에 가장 밀착한 컬러와 패턴" [Choi Se-Yeon, the costume director, said, "Moon Kwang's costumes…Colors and patterns that stick most closely to the house"]. Cine21. Retrieved from http://www.cine21.com/news/view/?mag_id=93179
  10. Jin, K.-O. (2017). Fashion styling film. Busan: Sanzini.
  11. Jung, H. J. (2019, July). 봉준호 감독의 기생충: 기생충적 삶의 지속, 혹은 전복 [Bong Joon-Ho's Parasite: The continuation or subversion of parasitic life]. The Performing Arts & Film Review, 104, 218-225.
  12. Kahng, H. (1984). 의상사회심리학 [The social psychology of clothing]. Seoul: Kyomunsa.
  13. Kaiser, S. B. (1997). The social psychology of clothing: Symbolic appearances in context (2nd ed.). New York, NY: Fairchild Publications.
  14. Kan, H. (2020, February 22). 기생충 의상 [Parasite costume]. dongA.com. Retrieved from http://www.donga.com/news/article/all/20200222/99818670/1
  15. Kawabata, S. (1980). The standardization and analysis of hand evaluation (2nd ed.). Osaka: Textile Machinery Society of Japan.
  16. Kim, G. H., Chun, J. H., & Ha, J. S. (2015). A comparative study on the costumes of fashion historical dramas aired after 2000 - Focused on Jangheebin, Dongyi and Jang Okjeong, Living in Love -. Journal of the Korean Society of Fashion Design, 15(3), 115-131. doi:10.18652/2015.15.3.8
  17. Kim, K. A. (2013). A study on the cinema costume 'Anne Of The Thousand Days'-Focused on apparel laws in the period of Henry VIII-. Journal of the Korean Society of Design Culture, 19(4), 57-70. https://doi.org/10.7318/KJFC/2013.28.1.057
  18. Kim, M. Y., & Rhee, E. Y. (1983). A study on the feelings of clothing deprivation and related variables among different age and socioeconomic groups of Korean female students. Journal of the Korean Society of Clothing and Textiles, 7(2), 27-35.
  19. Kim, S. (2019). A study on the effects of costume styling, color and texture on character expression in movies - Focusing on the movie and -. Journal of Fashion Business, 23(4), 53-67. doi:10.12940/jfb.2019.23.4.53
  20. Kim, S. H. (2017). A studying of Bong Jun-Ho's movies from the viewpoint of camera angles and perspective - With a focus on Memories of Murder, Mother, and Snowpiercer -. Journal of the Moving Image Technology Association of Korea, (27), 173-196.
  21. Kim, T., & Choi, I.-R. (2012). A study on color and symbolism of costume and make-up image shown in Chan-Wook Park's films - Forcing on the series of the revenge movies , , -. Journal of the Korea Fashion & Costume Design Association, 14(1), 151-160.
  22. Kim, T. W. (2020, February 6). '기생충' 조여정이 미국 W 매거진 표지를 장식했다 ['Parasite' Cho Yeo Jeong decorated the cover of the W magazine]. HuffPost. Retrieved from https://www.huffingtonpost.kr/entry/parasite_kr_5e3b984ac5b6b70886f9e211?utm_id=naver
  23. Kim, Y. R. (2020, February 10). 세계는 지금 '봉앓이' 중...봉준호 누구? [The world is currently suffering from 'Bong Joon-Ho'...Who is Bong Joon-Ho?]. Hankyung. Retrieved from https://www.hankyung.com/life/article/202002104712H
  24. Kim, Y. S. (2013). 영화 의상 [Film costume]. Seoul: CommunicationBooks.
  25. Kwak, S.-a., Moon, Y. K. (Producer), & Bong, J. H. (Director). (2019). Parasite [Motion picture]. Korea: Barunson E&A.
  26. Lauer, D. A. (1985). Design basics (2nd ed.). New York, NY: Holt, Rinehart, and Winston.
  27. Lee, D.-u. (2019). A study on the film : Impossibility of coexistence between classes reenacted by tragic comedy. EOMUNYEONGU, 101, 283-303. doi:10.17297/rsll.2019.101.011
  28. Lee, H.-Y., & Lee, S.-H. (2004). The images analysis on colors and textile materials - Focusing on movie, "Gone with the Wind"-. The Journal of the Korean Society of Knit Design, 2(1), 1-12.
  29. Lee, K. S. (1999). A study of influence of brand name on quality by social status variables. Journal of the Korean Home Economics Association, 37(5), 85-100. https://doi.org/10.7466/JKHMA.2019.37.1.85
  30. Marx, K. (1867). Das kapital. kritik der politischen okonomie [Capital: A critique of political economy]. Hambrug: Verlag von Otto Meisner.
  31. Miller-Spillman, K. A., Reilly, A., & Hunt-Hurst, P. (Eds.). (2012). The meanings of dress (3rd ed.). New York, NY: Fairchild Books.
  32. Min, E. M. (2020, February 6). '심플하고 영한' 기생충 조여정의 주얼리 스타일링 ['Simple and young' Cho Yeo Jeong's jewelry styling in Parasite]. JoongAng Ilbo. Retrieved from https://news.joins.com/article/23699356
  33. Na, W. J. (2019, June 16). 알고보면 더 재밌는 '기생충' 속 디테일 14가지 [14 more interesting details in 'Parasite']. JoongAng Ilbo. Retrieved from https://news.joins.com/article/23497753
  34. Park, H. (2016). Costume colors follow story structure on fantasy film Alice in Wonderland by Tim Burton. Journal of Fashion Business, 20(2), 78-96. doi:10.12940/jfb.2016.20.2.78
  35. Sang, Y. J., & Lee, I. S. (2014). Royal class fashion style analysis and design development. Journal of the Korean Society of Design Culture, 20(1), 335-348.
  36. Shin, J. A. (2019, June 19). 영화 '기생충', 폭우 속 가족이 걷던 가파른 계단은 어디인가요? [ 'Parasite', Where is the steep staircase that the family in the heavy rain walked?]. Financial News. Retrieved from https://www.fnnews.com/news/201906190931409237
  37. Son, S. W. (2019). The position of desire and fantasy ethics of a file . Film Studies, (81), 89-122. doi:10.17947/FS.2019.9.81.89
  38. Street, S. (2001). Costume and cinema: Dress codes in popular film. London and New York: Wallflower Press.
  39. Sung, I.-K. (2019). 중산층의 '계급탈락' 공포와 증오의 일상성, 그리고 상징폭력 - 영화 <기생충>에 나타난 부르디외의 구별짓기 개념들 [Class dislocation of the middle class, the daily routine of hatred, and symbolic violence - Bourdieu's class theory in ]. Proceedings of Societe d'Etudes Franco-coreennes & L'Associataion Cuturelle Franco-coreenne, Fall Joint Conference, 129-136.
  40. Weber, M. (1946). Class, status and power. In H. H. Gerth & C. W. Mills (Eds.), From Max Weber: Essays in sociology (pp. 180-195). New York, NY: Oxford University Press.
  41. Yang, J. (2018). A study on the costume color of the film Handmaiden - Focused on the heroin 'Hideko's costumes -. Fashion & Textile Research Journal, 20(3), 257-265. doi:10.5805/SFTI.2018.20.3.257
  42. Yi, E. J., & Lee, I. J. (1983). A study on the relationship between family values and selected clothing behaviors for a group of college women. Journal of the Korean Society of Clothing and Textiles, 7(1), 45-52.
  43. Yoo, J. Y. (1986). 年齡 및 社會階層에 따른 衣服着用動機에 관한 硏究 : 大邱市를 中心으로 [A study on the motivation of wearing clothing by age and social classes: Focused on Daegu city] (Unpublished master's thesis). Keimyung University, Daegu.
  44. Yoo, S. (2017). The study on the Wes Anderson's movie costume-Focusing on 's uniform costume-. Journal of the Moving Image Technology Association of Korea, 1(26), 47-67. doi:10.34269/mitak.2017.1.26.003
  45. Yoo, S. K. (2020, February 16). 봉준호 감독, 오늘(16일) 귀국…'기생충'수익 2천억원 돌파 [Director Bong Joon Ho, returning to Korea today on the 16th…Earnings of 'Parasite' have surpassed 200 billion won]. Hankookilbo. Retrieved from https://www.hankookilbo.com/News/Read/202002161172383165
  46. Yoon, K. H. (2019, June 10). 영화 '기생충' 속 의상, "조여정 사모님 룩이 가장 어려웠다" [The costume in the movie 'Parasite,' "Mrs. Cho Yeo-Jeong's look was the most difficult"]. JoongAng Ilbo. Retrieved from https://news.joins.com/article/23492294