참고문헌
- K. A. Kim. (2007). Totemism expressed in Animation - focused on Animation The Boy Who wanted To Be A Bear, Journal of Digital design, 7(2), 43-53. https://doi.org/10.17280/jdd.2007.7.2.005
- Y. S. Lim. (2020). Acceptability and Applicability of Foreign Cultural Originality in Disney 3D Animation, Cartoon and Animation Studies, 6, 31-50. https://doi.org/10.7230/KOSCAS.2020.59.031
- W. J. Lim. (2007). Analysis by formative feature and direction : Focusing on animation The Incredibles, The Korean Journal of animation, 3(2), 262-282.
- J. W. Kim. (2009). The study about historical style of animation : Focused on the individual style and USAs style & Japans style, Cartoon and Animation Studies, 16, 49-65.
- J. Y. Kim. (2008). A Study on the code and design elements as a way of transition, Cartoon and Animation Studies, 14, 83-99.
- S. T. Shin & H. J. Lee. (2001). A study on the visual expression of Korean style character design through the visual analysis on traditional magic pattern, Archives of Design Research, 14(3), 135-144.
- H. J. Joe. (2016). A Study of Traditional Pattern in Animation - focusing on Toom Moore" "s Song of Sea and SKahli lGibran"s The Prophet: On Love -, Cartoon and Animation Studies, (43) 185-209.
- J. S. Jin. (2006). The Psychological Meaning Delivery of The Color which was Applied to Animation, Journal of the Korea Contents Association, 6(11), 145-153.
- H. C. Yoon. (2011). A Study on the Symbolism of Colors and Patterns - Focused on the Vengeance Trilogy, Journal of Korea Design Knowledge, 20, 1-10.
- J. S. Cho. (2004). Study for Animation Symbol & Metaphor as Visual Culture, Collection of dissertation from the General Academic Conference of the Korean Creative Content Association, 2(2), 134-138.
-
K. W. Kim. (2006). Comparative Study on Color Style between
and , Journal of the Korea Contents Association, 6(11), 161-171. - X. S. Zhang & D. H. Choi (2020). Color Analysis of the Skeleton images in Animation - Focused on Coco, Cartoon and Animation Studies, 59, 155-175. https://doi.org/10.7230/KOSCAS.2020.59.155
-
S. H. Kim & J. W. Kim. (2018). A Study on the Formative Analysis of the Animation Screen Compositions according to the narrative-Focused on the screen composition of the
, Cartoon and Animation Studies, 53, 107-126. https://doi.org/10.7230/koscas.2018.53.107 - Y. H. Cho & H. J. Park. (2009). A Study on Interactional Relativeness between Figurative Qualities in Animation and Expression Techniques in Fine Art For the Sake of Contemporary Art and Europe Animation, The Korean Jorunal of animation, 5(2), 108-123.
-
H. F. Xu, K. J. Ryu & S. H. Park (2020). The character in the Chinese animation
Chinese traditional culture morphological factor analysis study, Cartoon and Animation Studies, 59, 313-340. https://doi.org/10.7230/KOSCAS.2020.59.313