한국융합학회논문지 (Journal of the Korea Convergence Society)

  • 제8권4호
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  • Pages.159-165
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  • 2017
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  • 2233-4890(pISSN)
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  • 2713-6353(eISSN)
한국융합학회 (Korea Convergence Society)
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1930·40년대 한국영상자료 속 근대도시풍경에 대한 융합적 연구

The Scenery of the Modern City Represented in Korean Films of 1930·40s

  • 문근종 (계명대학교 공과대학 건축학전공)
  • Moon, Guen-Jong (Department of Architecture, College of Engineering, Keimyung University)
  • 투고 : 2017.02.02
  • 심사 : 2017.04.20
  • 발행 : 2017.04.28
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초록

본 연구의 목적은 1930 40년대의 한국영상자료에 대한 분석을 통하여 당시의 도시풍경을 고찰하는 것이다. 이는 시각 매체인 영화가 당대의 도시 경관과 인간 행위를 필연적으로 반영한다는 점을 전제로 진행되었다. 분석을 위해 1934년부터 1944년까지에 해당하는 8편의 조선 영상작품들이 선정되었으며, 영화 속에서 도시의 풍경은 크게 2가지의 특징으로 나타났다. 첫째, 근대적 건축물과 속도감의 교통수단으로 이루어진 거리 경관이 의도적으로 비추어졌는데, 이는 근대화의 빠른 물결 속에 놓인 경성을 시각적으로 표현한 것이다. 둘째, 도시의 아파트, 양옥, 백화점, 카페, 호텔 등 서구적인 분위기의 건축 공간들이 조명되었는데, 이는 소수 상류층의 생활상과 새로운 서구문화를 간접적으로나마 경험하고자 했던 대중들의 호기심을 충족시키기 위한 영화적 해결책이었다.

The purpose of this study is to analyze the 'Scenery of the Modern City' revealed by Korean films of 1930 40s. It is assumed that films always reflect the cityscape and human activities of those days. For the analysis, a pool of 8 Korean films from 1934 till 1944 was constructed. In these films, the sceneries of the city were represented as the following: 1) The cityscape including modern buildings and speedy transportation was intentionally represented to express visually the city of Gyeongseong under the wave of modernization. 2) The western-style architectural spaces, such as apartment, mansion, department store, cafe, and hotel, were emphasized to reflect the curiosity and longing of the general public for western culture and lifestyle.

키워드

참고문헌

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