References
- Arnheim, R. (1981). Art and visual perception (C. I. Kim, Trans.). Seoul: Hongsungsa. (Original work published 1969)
- Batsis, A. (2011, March 24). Minna Palmqvist. stretch generics. Retrieved June 30, 2016, from http://stretchgenerics-ab.blogspot.com/2011/03/minna-palmqvist.html
- Bolton, A. (2002). The supermodern wardrobe. London: V&A Publications.
- Brand, J., Teunissen, J., & de Muijnck, C. (2010). Fashion and imagination: About clothes and art. Arnhem: ArtEZ Press.
- Brattig, P. (Ed.). (2003). Femme fashion 1780-2004. Stuttgart: Arnoldsche Art Publishers.
- Brunello, L. (2012, October 3). Cina: uno sguardo agli stilisti emergent [China: a look at the emergent stylists]. Luuk MAGAZINE. Retrieved July 3, 2016, from http://www.luukmagazine.com/cina-uno-sguardo-agli-stilistiemergenti/
- Cambridge, N. (2006). The Japanese revolution in Paris fashion by Yuniya Kawamura. Fashion Theory, 10(3), 401-404. https://doi.org/10.2752/136270406778050905
- Craik, J. (1994). The face of fashion: Cultural studies in fashion (1st ed.). London.New York: I. B. Tauris.
- de Perthuis, K. (2008). Beyond perfection: the fashion model in the age of digital manipulation. In E. Shinkle (Ed.). Fashion as photograph: viewing and reviewing images of fashion (pp. 168-181). London: I. B. Tauris.
- DeLong, M. R. (1998). The way we look: Dress and aesthetics (2nd ed.). New York, NY: Fairchild Books.
- Dimant, E. (2010). Minimalism and fashion: Reduction in the postmodern era. New York, NY: Harper Design.
- Eastoe, J., & Gristwood, S. (2009). Fabulous frocks. London: Pavilion Books.
- Entwistle, J. (2000). The fashioned body: Fashion, dress and modern social theory. Cambridge: Polity Press.
- Entwistle, J. (2002). The dressed body. In M. Evans & E. Lee (Eds.), Real bodies: A sociological introduction (pp. 133-150). New York, NY: Palgrave.
- Fukai, A., & English, B. (2005). The cutting edge: Fashion from Japan. Brooklyn, NY: Powerhouse Publishing.
- Fukai, A., Vinken, B., Frankel, S., Kurino, H., & Nie, R. (2010). Future beauty: 30 years of Japanese fashion (1st ed.). London.New York: Merrell Publishers.
- Gleason, K. (2012). Alexander McQueen: Evolution. New York, NY: Race Point Publishing.
- Hodge, B., Mears, P., & Sidlauskas, S. (2006). Skin + bones: Parallel practices in fashion and architecture (1st ed.). London: Thames & Hudson.
- Howarth, D. (2014, August 21). Noa Raviv combines grid patterns and 3D printing for Hard Copy fashion collection. Dezeen. Retrieved January 30, 2016, from http://www.dezeen.com/2014/08/21/noa-raviv-hard-copy-fashion-collection-grid-patterns-3d-printing/
- In pictures: 30 years of Japanese fashion. (2010, October 15). BBC. Retrieved February 6, 2016, from http://www.bbc.co.uk/news/entertainment-arts-11533117
- Koda, H. (2001). Extreme beauty: The body transformed. New York, NY: Metropolitan Museum of Art.
- Koda, H., & Lavin, S. (2008). Refusing fashion: Rei Kawakubo. Detroit, MI: Museum of Contemporary Art Detroit.
- Laver, J. (2002). Costume and fashion: A concise history (4th ed.). London: Thames & Hudson.
- Loschek, I. (2009). When clothes become fashion: Design and innovation systems (1st ed.). Oxford.New York: Berg.
- Mower, S. (2005, October 3). Spring 2006 Ready-to-Wear Viktor & Rolf. Vogue. Retrieved July 3, 2016, from http://www.vogue.com/fashion-shows/spring-2006-ready-to-wear/viktor-rolf/slideshow/collection#6
- Mower, S. (2009, February 23). Fall 2009 Women Readyto-Wear Giles Deacon. Vogue. Retrieved July 2, 2016, from http://www.vogue.com/fashion-shows/fall-2009-ready-to-wear/giles-deacon/slideshow/collection#46
- Noa Raviv uses 3D printed polymers for virtual reality fashion collection. (2014, August 25). designboom. Retrieved June 30, 2016, from http://www.designboom.com/design/noa-raviv-stratasys-hard-copy-fashion-collection-3d-printing-israel-08-25-2014/
- Palmqvist, M. (2009). Minna Palmqvist - About. Minna Palmqvist. Retrieved January 30, 2016, from http://www.minnapalmqvist.com/info
- Phelps, N. (2007, September 11). Spring 2008 Women Ready-to-Wear Calvin Klein Collection. Vogue. Retrieved July 3, 2016, from http://www.vogue.com/fashion-sho ws/spring-2008-ready-to-wear/calvin-klein-collection/slideshow/collection#37
- Phelps, N. (2010, October 1). Spring 2011 Ready-to-Wear Maison Margiela. Vogue. Retrieved July 2, 2016, from http://www.vogue.com/fashion-shows/spring-2011-ready-to-wear/maison-martin-margiela/slideshow/collection#31
- Polan, B., & Tredre, R. (2009). The great fashion designers (1st ed.). Oxford.New York: Berg.
- Quinn, B. (2003). The fashion of architecture (1st ed.). Oxford.New York: Berg.
- Rudofsky, B. (1984). The unfashionable human body. New York, NY: Van Nostrand Reinhold Co.
- Sans, J. (1992-1993). Refuge Wear - Habitent. Studio Orta. Retrieved March 3, 2016, from http://www.studio-orta.com/en/artworks/serie/1/Refuge-Wear
- Seltmann, G., & Lippert, W. (Eds.) (2006). Entry paradise - New worlds of design -. Basel: Birkhauser.
- Spilker, K. D., & Takeda, S. S. (2007). Breaking the mode. Milan: Skira.
- Steele, V. (2001). The corset: A cultural history. New Haven, CT: Yale University Press.
- Steele, V. (2007). Abstraction and the avant-garde. In E. Bippus & D. Mink (Eds.), Fashion body cult (pp. 24-29). Stuttgart: Arnoldsche Verlagsanstalt.
- Teunissen, J., Nefkens, H., Arts, J., & van der Voet, H. (2014). The future of fashion is now. Rotterdam: Museum Boijmans Van Beuningen.
- Thesander, M. (1997). The feminine ideal. London: Reaktion Books.
- The Kyoto Costume Institute. (1999). Visions of the body: Fashion or invisible corset. Kyoto: Author.
- Vinken, B. (2005). Fashion zeitgeist: Trends and cycles in the fashion system (1st ed.). Oxford.New York: Berg.
- Welters, L., & Lillethun, A. (Eds.) (2007). The fashion reader. Oxford.New York: Berg.
- Willhelm, B. (2005, June). Molux. GNEBORG. Retrieved June 20, 2016, from http://www.gneborg.org/Molux.htm