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A Study on the Alighieri Dante's La Divina Commedia focused on Wuwei-ziran & Humanism in Length animation '9'

단테의 신곡으로 본 장편애니메이션 '9'의 무위자연과 인본주의 연구

  • Park, Yoon-sung (Dept. of Visual communication Design, Kyonggi University)
  • 박윤성 (경기대학교 시각정보디자인학과)
  • Received : 2016.11.28
  • Accepted : 2017.01.20
  • Published : 2017.01.28

Abstract

In this study, through the Wuwei-ziran of Alighieri Dante's La Divina Commedia & Humanism and Chuang-tzu, revealed in the full-length animation '9' reflecting the loss of humanity and the recovery and the artististic consciousness of producing animation with a new world view, It is an animation case analysis that restores humanity and awakens the inside of human being. Wuwei-ziran of Chuang-tzu is a way of life which helps humans to flow through relation and coordination. Wuwei-ziran is a way of life of dharma where all things are harmonized by the subjective self It is the beginning.

본 연구는 인간성의 상실과 회복, 또 나아가서 새로운 세계관을 가지고 애니메이션을 제작하는 작가적 의식을 반영한 장편 애니메이션 "9"에서 드러나는 인본주의 사상과 장자(莊子)의 무위자연(無爲自然) 사상에 대한 틀거리를 통해 메말라가는 인간성을 재건(再建)하고 기계화(機械化)에 의한 황폐화(荒廢化)와 인간 본연의 내면을 일깨우는 애니메이션의 사례 분석이다. 장자의 무위자연은 작위(作爲)하지 않고 주재(主宰)하지 않으면서 삼라만상(森羅萬象)이 스스로 관계(關係, relation)와 조율(調律)을 거쳐 흐르게끔 돕는 무위자연론은 주재하는 자가 배후에 있지 않으면서 만물이 스스로 조화를 이루어가는 '도(道)'의 '자연성(自然性)'을 극명하게 드러낸다.

Keywords

References

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