DOI QR코드

DOI QR Code

TV 다큐멘터리에 표현된 조선시대 미용법 분석 -재매개성 이론을 중심으로-

The Research is about a TV Documentary on the Joseon Dynasty's Beauty Makeup -Focus is on the Re-mediation-

  • 방기정 (대전대학교 뷰티건강관리학과)
  • 투고 : 2015.08.15
  • 심사 : 2015.10.21
  • 발행 : 2015.11.30

초록

The purpose of the study was to investigate how the Classification of the Joseon Dynasty's Beauty characteristics were expressed in a TV documentary focusing ona Re-mediation theory. The methods of study comprised of library research, Internet search, and using TV documentary program case studies. The work this Researcher makeup in the manufacture from the documentary in which the methods the Joseon. Dynasty expressed were selected. The literature, and preceding research, were referred to as a way to help organize the Joseon Dynasty's 'gi-saeng Hwang Jin-Hee', 'woman of royal family', and way of make-up of 'sadae-bu lady'. The TV documentary programs selected were 'MBC special' and '2 parts of channel A documentary special'. First, the improvisation of nature and simultaneity expressed in the Joseon Dynasty's usage of make-up is shown through the interview form reflecting the make-up tools and age direction of the scenes or expert. Second, the interactivity and reality are well seen through the row equivalent in which the model seems to directly use the dressing demonstration of the expert and cosmetics material. Third, the cultural expandability and unexpectedness show through the production of situations which are viewed from the explanation of the narration and letter subtitles and drama.

키워드

참고문헌

  1. Austin, T. & de Jong, W.(Eds.). (2008), Rethinking Documentary: New Perspectives, New Practices. maidenhead, UK: OPU.
  2. Barng, K. (2013), The Joseon Dynasty make-up of the Act applies and the holographic digital video production for basic research, Proceedings of 2013 Conference on The Research Journal of the Costume Culture, pp. 109-112.
  3. Barng, K. (2012), A Study on Rouge and Make-up of the Far East (Ver.1) ; The Korea, China, Japan, Mainly, Jounal of The Korean Society of cosmetology, 18(4), 777-789.
  4. Brian G. Rose, (1993), Television and the Performing Arts, Dance Theory dictionary, 2011. Medical Korea
  5. Choe, C. (1990), Korea Broadcasting Theory, Seoul : Nanam, 162-164.
  6. Hilliard, R. L., (1981), Writing for Televlaion and Radio, Fourth Edtion, New York: Hasting House, 139.
  7. Hill, A. (2007), Restyling Factual TV: The Reception of News, Documentary and Reality Genres. Abingdon, UK: Routledge
  8. Jang, H., Lee, J., O, J. & Hwang, Y. (2004), TV documentary; Mince the world. Seoul : Saemteo
  9. Jay David Bolter & Richard Grusin, (2006), Remediation, Seoul : Communication Books, 52-56.
  10. Joe, Y. (2011), Comparing Augmented Reality and Collage in the view of remediation theory, Journal of Digital Design, 11(1), 153-162.
  11. Jun, P. (1995), Video Documentary, Seoul: Nanam, 19-20.
  12. Kilborn, R.(2003), Staging the Real: Factual TV Programming in the Age of Big Brother. Manchester: Manchester University Press.
  13. Kim, J. (2012). The principal research associate in gender awareness and self-reflection parameters of non-transparency in the media environment. Journal of Communication, 39, 207-218.
  14. Lee, J. (1993), Broadcasting Commission, Study on the television program classification criteria, 49.
  15. Lee, J. (2007), Visible radio as a multimedia - Remediation, multi-sensory modalities, and media experience, Media and society, 15(3), 74.
  16. Nichols, Bill (1981), Ideology and the Image: Social Representation in the Cinema and other Media, Bloomington, IN: Indiana University Press
  17. Nichols, Bill (1983), The Voice of Documentary, Film Quarterly, 36(3), 17-30. https://doi.org/10.2307/3697347
  18. Nichols, Bill (2001), Introduction to Documentary. Bloomington & Indianapolis, IN: Indiana University Press
  19. Park, S. (2008), Characteristic of Media Performance on the Stage space from the viewpoint of Remediation, Journal of Digital Design, 8(2), pp.45-54.
  20. Rose, Brian, (1985), TV Genre, Westport:Greenwood press, 244-245.
  21. Swallow, Norman. (1996), Factual Television, New York: Hasting House. 176-177.
  22. Yeon, H. (1993), A Critical Study of 'Fact', 'Reconstruction' Faces and Cenre-Mixed Features of Drama Documentary (Unpublished master's thesis), Sungkyunkwan University, Seoul, Korea. 32-33.
  23. Zoellner, Anna (2009), Professional Ideology and Program Conventions: Documentary Development in Independent British Television Preduction, Mass Communication and Society, 12, 503-536. https://doi.org/10.1080/15205430903237840