DOI QR코드

DOI QR Code

코랄 커뮤니케이션 모델의 개념형성을 위한 시론적 연구

An exploratory study for conceptualizing a communication model in choral music

  • Kim, Hyung-Il (Dept. of Journalism & Communication, Far East University)
  • 투고 : 2015.05.19
  • 심사 : 2015.07.20
  • 발행 : 2015.07.28

초록

이 연구는 사회과학적 관점에서 합창의 음악적 소통과정을 설명할 수 있는 커뮤니케이션 모델의 개념을 형성하기 위한 목적으로 수행되었다. 일반적인 음악 커뮤니케이션은 작곡자와 연주자, 그리고 청중간의 상호작용과정으로 설명된다. 그러나 합창은 일종의 공동체 음악활동이기 때문에 기존의 음악 커뮤니케이션 모델로는 설명할 수 없는 고유의 특성이 존재한다. 합창은 연주를 통해 청중과 소통하기 전에 구성원 사이에 내적 커뮤니케이션을 거쳐야 한다. 내적 커뮤니케이션의 1단계는 지휘자가 음악을 해석하는 과정이고 2단계는 이러한 해석을 단원들이 공유할 수 있도록 커뮤니케이션하는 것이다. 이러한 내적 커뮤니케이션이 원활하게 이루어져야 합창음악의 궁극적 목적인 청중과의 음악적 소통이 가능한 것이다. 아직은 시론적인 차원이지만 이 연구를 통해서 형성된 코랄 커뮤니케이션 모델의 개념은 이론적 차원에서만이 아니라 실용적인 차원에서도 합창의 음악적 소통을 원활히 하는데 필요한 지침을 제공할 것으로 기대된다.

This study is conducted for the purpose of conceptualizing a choral communication model. first, the musical communication models analyzed to know how it can apply in the choral music. As a result, we take the music communication is the interaction between composers, performers and audience. But the choral music have properties not found in the general music. The choral music is the need for internal communication process before performing music. First, the conductor is to interpret the music. Next, choral members are shared the interpretation of music. This internal communication be conducted properly, musical communication with the audience will be successful. The trial model provided for in this study will be a guideline for successful communication in the choral music, theoretically or practically.

키워드

참고문헌

  1. Eun-Ki, Min, Hye-Seung, Shin & Jiho, Jeon, Understanding of Western Music, Seoul: Yesol
  2. Irkwon, Jeong & Airee, Loh, "Communication Process of Classic Music Performance", Communication Theory, 6(2), pp.48-81, 2010
  3. Juslin, P. N. & Laukka, P., "Communication of emotions in vocal expression and music performance: Different channels, same code?", Psychological Bulletin, 129, pp.770-814, 2003 https://doi.org/10.1037/0033-2909.129.5.770
  4. Weber, W., "Mass Culture and the Reshaping of European Musical Taste 1770-1870", International Review of The Aesthetics and Sociology of Music, 8(1), pp.5-21, 1977 https://doi.org/10.2307/836535
  5. Zukerkandl, V., The Sense of music, Princeton University Press, 1959
  6. Watanabe Hiroshi, Birth of Audience, Tokyo: Shunju Sha, 2004
  7. Gabrielsson, A., "Interplay between analysis and synthesis in studies of music performance and music experience", Music Perception, 3(1), pp.59-86, 1985 https://doi.org/10.2307/40285322
  8. Kendall, R. A. & Carterette, E. C., "The communication of musical expression", Music Perception, 8, pp.129-64, 1990 https://doi.org/10.2307/40285493
  9. Juslin, P. N., "Five facets of musical expression: A psychologist's perspective on music performance" Psychology of Music, 31(3), pp.273-302, 2003 https://doi.org/10.1177/03057356030313003
  10. Juslin, P. N., "From mimesis to catharsis: expression, perception, and induction of emotion in music", in Miell, D., MacDonald, R. & Hargreaves, D. J.(eds.). Musical Communication, Oxford, UK: Oxford University Press, pp.85-115, 2005
  11. Shannon, C. E. & Weaver, W., The mathematical theory of communication. Urbana: University of Illinois, 1949
  12. Cross, I., "Music and meaning, ambiguity and evolution", in Miell, D., MacDonald, R. & Hargreaves, D. J.(eds.). Musical Communication, Oxford, UK: Oxford University Press, pp.27-43, 2005
  13. Small, C., Musicking: the meaning of performing and listening, 1998
  14. Hargreaves, D. J., MacDonald, R. & Miell, D., "How do people communicate using music?", in Miell, D., MacDonald, R. & Hargreaves, D. J.(eds.). Musical Communication, Oxford, UK: Oxford University Press, pp.1-25, 2005
  15. North, A. C. & Hargreaves, D. J., "Musical preferences during and after relaxation and exercise", The American journal of psychology, 113(1), 43-67, 2000 https://doi.org/10.2307/1423460
  16. Hyung Il, Kim, Choral Communication, Seoul: Communication Books, 2014
  17. Robinson, R., "The challenge of choral leadership in the 21st century", in Webb, G. B.(ed.), Up Front! Becoming the complete choral conductor, Boston, MA: Schirmer Music Company, pp.15-34, 1993
  18. Marvin, J., "Mastery of choral ensemble", in Webb, G. B. (ed.), Up Front! Becoming the complete choral conductor, Boston, MA: Schirmer Music Company, pp.137-172, 1993
  19. Jun-cheol, Hong, For Choral Conductor, Seoul: Yesol Publishing, 2008
  20. Robinson, R. & Winold, A., The choral Experience. IL: Waveland press, 1992
  21. Paine, G., "Score selection, study, & interpretation", in Webb, G. B.(ed.), Up Front! Becoming the complete choral conductor, Boston, MA: Schirmer Music Company, pp55-104, 1993