Journal of Fashion Business (패션비즈니스)

The Korean Society of Fashion Business (한국패션비즈니스학회)
권호 표지
DOI QR코드

DOI QR Code

An Analysis of Multi-View Fashion Design Reflected in the Perception of Time and Space

연속적 시·공간관이 반영된 다(多)시점 패션디자인 분석

  • Kim, Minji (Dept. of Craft Arts, Sangji University) ;
  • Kan, Hosup (Dept. of Fashion & Textile, Hong-Ik University)
  • 김민지 (상지대학교 생활조형디자인학과) ;
  • 간호섭 (홍익대학교 섬유 패션디자인학과)
  • Received : 2015.03.11
  • Accepted : 2015.05.01
  • Published : 2015.05.30
Download PDF
⟨ Previous Next ⟩

Abstract

The purpose of this thesis is to study multi-view fashion design with an analysis of multi-view art's formation and philosophical perspective. The production of unique artwork is dependent on how we see, think and represent what is around us. Multi-view art has great potential as a concept related to the continuity of time and space, it is not limited to space and time but it extends to infinitely, according to the artist's will and imagination. The study of time and space has been used as principles for deriving the formative of multi-view art, and the principles applied for analyzing multi-view fashion design. And the formation of multi-view art is reflected in fashion design. Simultaneity, deconstructivity, continuity and virtuality in terms of multi-view art are support the formation of multi-view fashion design, such as fabrication, expandability, concealment and transparency. As such, it is important to study multi-view fashion design as a creative design method with immense potential for further development.

Keywords

References

  1. Arnheim, R. (1995). Art and visual perception. (C. Kim, Trans.). Seoul: Mijinsa. (Original work published 1974).
  2. Berger, A. (1997). Seeing is believing. (J. Lee, Trans). Seoul: Mijinsa. (Original work published 2007).
  3. Choi, E. (1998). A study on the Characteristics of the space-time concept deconstructivism, (Unpublished master's thesis). Yonsei University, Seoul, Korea.
  4. Cottington, D. (2003). Cubism. (K. Jun, Trans.). Seoul: Yeolhwadang. (Original work published 1998).
  5. Clarke, S. E., & Harris, J. (2012). Digital Visions for Fashion +Textile. London, UK ;Thames and Hudson Ltd.
  6. Comme des Garcons. (2015). Retrieved July, 15, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=4112#261472_1_1
  7. Comme des Garcons. (2004). Retrieved July, 15, 2014 from http://www.style.com/fashion shows/complete/slideshow/S2004RTW-CMMEGRNS/#2
  8. Comme des Garcons. (2009). Retrieved October 25, 2014, from http://www.style.com/fashion shows/complete/slideshow/F2009RTW-CMMEGRNS/#24
  9. David Hockney. (1982) Yellow guitar still life Retrieved July, 15, 2014 from http://www.lalouver.com/html/exhibition.cfm?tExhibition_id=100
  10. Durang, S. M. (2000). Cezanne. (M. Im, Trans.). Changhae, Korea.
  11. Givenchy. (2013). Retrieved November, 22, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=2961
  12. Iris van Herpen. (2015). Retrieved July, 15, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=4155
  13. Jang, H. (2005), Expansion and tip position of the perception of perception in the media arts (Unpublished master's thesis), Hongik University, Seoul, Korea.
  14. Junya watanabe. (2015). Retrieved November, 22, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=4120
  15. Kim, C. (1996). Essence dictionary of Korean (Rev.ed). Seoul: Minjungseorim.
  16. Lyu, J. (2005). A study of human nature in the Bergson philosophy (Unpublished doctorial dissertation). Keimyung University, Daegu, Korea.
  17. Lee, M. (2007), Bergson philosophical methodology and concepts as intuitive as the duration of the primordial nature of reality, Journal of Philosophy East and West, 9(45), 269-288.
  18. Lee, H. (2009), A video study using three dimensional space (Unpublished master's thesis). Ewha Womens University, Seoul, Korea.
  19. Lee, Y. (1998), A study on aesthetic cognition of space in modern architecture, Korea Institute Interior Design, 14, 114-120.
  20. Livingston, M. (2013). David Hokney (Joo. E, Trans.). Seoul: Sigongsa.(Original work published 1996).
  21. Louis Vitton. (2014). Retrieved November, 22, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=3128
  22. Michelangleo Pistoletto.(1978). Retrieved November, 22, 2014 from http://blog.naver. com/ksad_inarchi/40141385561
  23. Paco Rabanne. (2015). Retrieved July, 15, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=4092#260353_1_9
  24. Seo, B. (2013). Emotional characteristics of catalyst intellectual space through the sensationalism of Gilles Deleuze (Unpublished master's thesis). Hoseo University, Asan, Korea.
  25. Sung, H. (2010). Study on the de construction float reflects the concept of time and space (Unpublished master's thesis). Inha University, Inchen, Korea.
  26. Thome Brown. (2014). Retrieved July, 15, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=3043#209624_3_11
  27. Tsumoi Chisato. (2014). Retrieved November, 22, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=3524#234654_1_6
  28. Undercover. (2003). Retrieved October 25, 2014, from http://www.style.com/fashionshows/review/F2003RTW-UNDERCOVER/
  29. Undercover. (2006). Retrieved July, 15, 2014 from http://www.style.com/fashionshows/complete/slideshow/S2006RTW-UNDERCOV/#24
  30. Vionnet. (2015). Retrieved November, 22, 2014 from http://www.style.co.kr/collection/view.asp?scd_code=4082#259678_1_13
  31. Victor &Rolf. (2011). Retrieved July, 15, 2014 from http://www.style.com/fashionshows/complete/slideshow/S2011RTW-VIKROLF/#4

Cited by

  1. 지식의 시각화에 의한 창의적 패션디자인 연구 -ATTA 평가항목에 의한 구찌컬렉션을 중심으로- vol.21, pp.4, 2015, https://doi.org/10.12940/jfb.2017.21.4.90
  2. A Study on Expansion of Performance Costumes for the Andrei Serban’s ‘Different Chunhyang’ vol.69, pp.2, 2015, https://doi.org/10.7233/jksc.2019.69.2.001