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An Analysis of Fashion Images and Design Components of the Sexy Look Evening Dresses in Haute Couture

오뜨꾸뛰르 이브닝드레스 섹시 룩의 패션이미지와 디자인 특성 분석

  • Received : 2015.02.01
  • Accepted : 2015.04.13
  • Published : 2015.04.30

Abstract

The purpose of this study is to investigate the 'sexy look' of the Paris Haute Couture evening dresses of the past 10 years from 2005 to 2014. The results are as follows: According to the occurrence frequency analysis of the fashion images of sexy look evening dress, the type of sexy look that appeared the most is the romantic sexy look, followed by erotic sexy look, ethnic sexy look, minimal sexy look and avant-garde sexy, respectively. According to the design component-specific analysis of evening dress for each Haute Couture house, 7 Haute Couture houses have used H-line silhouette over the past 10 years, each H-line silhouette being different. In terms of material, Valentino, Elie Saab, Givenchy, Chanel and Dior have shown a trend of favoring see-through material, Gaultier and Armani showed a lot to combine different materials. In terms of color, Valentino, Chanel, Dior, Gaultier, Armani have shown a general trend in the last 10 years to express sexy look by using attractive and mystical black tones, Elie Saab has shown skin color a lot by using brown family colors and Givenchy has used white family colors. According to the design components analysis for each sexy look fashion image, the H-line silhouette showed the most frequency to represent sexy looks. In terms of material, avant-garde sexy look, ethnic sexy look and minimal sexy look showed a lot to combine different materials to express sexy looks, but erotic sexy look and romantic sexy look are characterized by using thin see-through material. As for the color, black series has been most represented in the last 10 years for the Haute Couture evening dress sexy look.

Keywords

References

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  2. Study on Classification of Associated Words of Fashion Image words through Analogical Transfer : Focused on the image words of feminine, mannish, classic and avant-garde vol.67, pp.5, 2017, https://doi.org/10.7233/jksc.2017.67.5.001