스기모토 타카시의 디자인에 나타나는 흔적의 의미에 관한 연구

A Study on the Meaning of Trace in Sugimoto Takashi's Design

  • 투고 : 2014.12.15
  • 심사 : 2015.01.06
  • 발행 : 2015.01.25

초록

Interior designer Sugimoto Takashi uses salvaged material and natural thing for aesthetical purpose. These material performs not just as fun stuff but as design tool in order to set up cultural meaning which modern society always lacks for. The method of communicating the meaning is the multi-layered trace on them. There are three types of trace. They are harsh texture of surface, untrimmed outline, and gathering & arrangement. Through these formation methods of trace, Sugimoto can suggest various curtural meanings such as vanishing value of old-fashioned lifestyle, primitive energy of nature, and sincere touch of somebody. As a result, the trace in Sugimoto's design is an endeavor to exist tradition(the long ago) and nature(the far away) in here-and-now interior space.

키워드

참고문헌

  1. 김준영, 박찬일. 2011. 스기모토 타카시의 디자인관과 디자인 수법의 분석에 의한 식음공간의 표현특성에 관한 연구. 한국실내디자인학회 20(1): 80-88쪽.
  2. 리처드 부캐넌, 빅토 마골린. 2004. 디자인담론. 조형교육. 50-51쪽.
  3. 서정연. 2012. 기능적 체계의 극복에 관한 두 가지 사례 연구. 한국실내디자인학회 21(4): 21-30쪽.
  4. Mira Locher. 2006. Super Potato Design. Tuttle Publishing. 14-16, 54-55, 120-122pp.
  5. Penny Sparke. 2008. The Modern Interior. Reaktion Books. 22-23pp.
  6. Takashi Sugimoto, Marcia Iwatate. 2006. Shunju: New Japanese Cuisine. Periplus Editions. 12pp.
  7. Walter Benjamin. 2002. The Arcades Project. Harvard University Press. 8-9pp.
  8. 杉本貴志. 2011. 無爲のデザイン. TOTO出版. 52-54, 146pp.