References
- Benjamin, W. (2005). Illuminations: essays and reflections. (S. W. Park, Trans.). Seoul, Republic of Korea: Mineumsa. (Original work published 1969)
- Benjamin, W. (2007). Das kunstwerk im zeitalter seiner techischen reproduzierbarkeit. (S. M. Choi, Trans.). Seoul, Republic of Korea: Gil. (Original work published 1963)
- Berenson, B. (2000). Florentine painters. (S. K. Choi, Trans.). Seoul, Republic of Korea: Hanmyung. (Original work published 1923)
- Bolton, A., Sundsboe, S., Blanks, T. & Frankel, S. (2011). Alexander mcQueen: savage beauty. New York, U.S.: Metropolitan Museum of Art.
- Choi, K. W. (2005). Good design. Seoul, Republic of Korea: Gilbut Publications.
- Chu, S. H. & Kim, Y. I. (2002). A study on the color and texture of fashion fabrics. Journal of the Korean Society of Clothing and Textiles, 26(2), 193-204.
- Day, J. (2013). Line color form: the language of art and design. New York, U.S.: Skyhorse Publishing.
- Deleuze, G. (2008). Francis Bacon logique de la sensation. (T. H. Ha, Trans.). Seoul, Republic of Korea: Minumsa. (Original work published 1981)
- Deleuze, G. & Guattari, F. (2001). Mille plateaux: capitalisme et schizophrenie, tome 2. (J. I. Kim, Trans.). Seoul, Republic of Korea: Saemulkyul. (Original work published 1979)
- Duncum, P. & Lee, Y. J. (2011). Return of haptic. Journal of Research in Art Education, 12(2), 149-162.
- Fisher, J. (1997). Relational sense: towards a haptic aesthetics. Parachute: Contemporary Art Magagine, 87(3), 4-11.
- Gilloch, G (2005), Myth and metropolis: Walter Benjamin and the city. (M. W. Roh, Trans.). Paju, Republic of Korea: hyohyung. (Original work published 1997)
- Gleason, K. (2012). Alexander mcQueen: evolution. New York, U.S.: Race Point Publishing.
- Google (n.d.). Bottle cap. Retrieved from http://www.amazon.com/Chrome-Bottle-Silver-Bottlecaps-Colored/dp/B006MWT4H0
- Graves, M. (1975). Art of color and design. (M. S. Bae, Trans.). Seoul, Republic of Korea: Ewha woman's university publications. (Original work published 1951)
- Hammer, M. (2013). Francis bacon: phaidon focus. London, United Kingdom: Phaidon Press.
- Huh, J. A. (2009). Nano as an imaginative science and visual paradigm shift. Design Convergence Study, 8(2), 3-16.
- Hume, M. (1996, August). Scissorhands, Harpers and Queen, 82.
- Hunt, A. (1996). Governance of the consuming passions: history of sumptuaryy law. New York, U.S.: Palgrave Macmillan.
- Hesselgren, S. (1998). Man's perception of man-made environment: an architectural theory. (K. H. Park & J. J. Kim, Trans.). Seoul, Republic of Korea: Kimoondang. (Original work published 1975)
- Je, M. H. & Oh, Y. J. (2011). A study on the effect of visual tactility in user interface design of Smart Phone. Journal of Korean Society of Media and Arts, 9(1), 119-135.
- Ji, S. H. (2002). Psychology of visual arts and design [시각 예술과 디자인의 심리학]. Seoul, Republic of Korea: Mineumsa.
- Jin, J. K. (2003). Contemporary aesthetics lecture [진중권의 현대미학 강의]. Seoul, Republic of Korea: Artbooks.
- Jin, J. K. (2004). Aesthetics odyssey3 [미학 오디세이3]. Seoul, Republic of Korea: Humanist.
- Jin, J. K. (2011). The story of western art: modernism [진중권의 서양미술사 모더니즘편]. Seoul, Republic of Korea: Humanist.
- Kim, E. J. (2009, July 28). Fried egg candle. Retrieved from http://media.jungle.co.kr/cat_magazine_special/detail_view.asp?master_idx=304&pagenum=1&temptype=5&page=15&code=&menu_idx=302&main_menu_idx=2&sub_menu_idx=26&all_flag=1
- Kim, J. H. (2003). Design element [디자인 원론]. Seoul, Republic of Korea: Bubseo Publications.
- Kim, J. Y. & Lee, H. J. (2005). A Study on Hybrid Trend upon Alexander McQueen's Work. The Research Journal of the Costume Culture, 13(2), 300-313.
- Kim, M. J. J. (2001). A study on the human sensibility measurement technology of texture coordination. Journal of the Korea Fashion & Costume Design Association, 3(1), 47-55.
- Kim, S. K. (2004). Study on graphic expression utilizing visual tactility (Master's thesis, Ewha woman's university, Seoul, Republic of Korea). Retrieved from http://www.riss.kr/search/detail/DetailView.do?p_mat_type=be54d9b8bc7cdb09&control_no=02727eb9751db5e5#redirect
- Kim, S. Y. (2008). The Grotesque in the Work of Alexander McQueen. Journal of the Korean Society of Costume, 58(8), 106-119.
- Kim, Y. H. (2005). Etude sur la theorie de l'art chez deleuze. Studies in Philosophy East-West, 36(0), 159-174.
- Kim, Y. W. & Choi, J. M. (2011). Effect of characteristics and texture of sight and touch on the tactile preferences for the black fabrics. The Research Journal of the Costume Culture, 19(3), 556-564. https://doi.org/10.29049/rjcc.2011.19.3.556
- Knox, K. (2010). Alexander mcQueen: genius of a generation. London, United Kingdom: A & C Black.
- Kwon, E. S. (2002). Color and synaestesia [색채와 공감각]. In Y. G. Kwon (Ed.), Future that is color [색이 만드는 미래] (pp. 42-50). Seoul, Republic of Korea: Kukje Books.
- Kwon, H. J. (2002). Study on the relationship between visual tactility and color emotion : with emphasis on the development of web-based assessment tool (Master's thesis, Korea Advanced Institute of Science and Technology, Taejon, Republic of Korea). Retrieved from http://www.riss.kr/search/detail/DetailView.do?p_mat_type=be54d9b8bc7cdb09&control_no=21204e3578ae54e5#redirect
- Kwon, H. S. & Keum, Y. J. (2008). Characteristics of avant-garde deconstruction-ism expressed in Alexander McQueen's Design. Journal of Fashion Business, 12(2), 100-116.
- Lee, J. H. & Roh, Y. S. (2012). A Study on the Formative Character of Maximalism Shown in the Works of Alexander McQueen. The Research Journal of the Costume Culture, 62(6), 165-181.
- Lee, K. H. (2007), A study on the interaction between visual perception and the body in contemporary painting space. Journal of science of Art & Design, 11(0), 109-152.
- Lee, S. & Du Preez, W. (2005). Fashioning the future: tomorrow's wardrobe. London, United Kingdom: Thames & Hudson.
- Libby, W. C. (1981). Color and the structural sense. (Y. J. Lee, Trans.). Seoul, Republic of Korea: Mijinsa. (Original work published 1974)
- Lim, S. W. (2013). Aktualitat der vergessenen moglichkeiten angesichts walter benjamins kunstwerkessays. Zeitschrift fur deutschsprachige Kultur & Literatur, 22(0), 93-118.
- Lindgren, M. (2011). The Perception of Fashion: Alexander McQueen. Centre for Fashion Studies, 1-67.
- Mcluhan, M. (2002). Understanding media: the extensions of man. (S. K. Kim, Trans.). Seoul, Republic of Korea: Mineumsa. (Original work published 1964)
- Marks, L. U. (1998). Video haptics and erotics. Screen, 39(4), 331-348. https://doi.org/10.1093/screen/39.4.331
- Menkes, S. (2015, March 16). Suzy Menkes: Alexander McQueen Savage Beauty Review. Retrieved from http://www.vogue.co.uk/suzy-menkes/2015/03/suzy-menkes-on-alexander-mcqueen-savage-beauty
- Metmuseum.org (n.d.). Alexander mcQueen 2005 S/S. Retrieved from http://blog.metmuseum.org/alexandermcqueen/ensemble-its-only-a-game-1/
- Moholy-Nagy, L. (2005). The new vision: fundamentals of Bauhaus design, painting, sculpture, and architecture (4th ed.). New York, U.S.: Dover Publications.
- Moon, E. B. (2010). color design textbook [색채 디자인 교과서]. Paju, Republic of Korea: Ahn graphics.
- Musee-rodin (n.d.). The hand of god. Retrieved from http://www.musee-rodin.fr/en/collections/sculptures/hand-god
- Ndc (n.d.). Juice Box. Spiegel. Retrieved from http://www.ndc.co.jp/hara/en/works/2014/08/haptic.html
- Nike (n.d.). Soccer Ad. Retrieved from http://news.nike.com/nike-football-soccer
- Oh, C. R. (2003). Theory of formative arts [조형예술원론]. Busan, Republic of Korea: Dong-a university publications.
- Osterwold, T. (2003). Pop art. London, United Kingdom:Taschen.
- Park, K. W. & Park, M. Y. (2008). A study on package design shape using visual tactility: focused on the domestic drinks market. Journal of the Korean Society of Design Culture, 14(3), 201-210.
- Park, M. Y. & Joh, H. (2013). A study on the library of 'the name of the rose' as a haptic space. Korean Institute of Interior Design Journal, 22(2), 100-111. https://doi.org/10.14774/JKIID.2013.22.2.100
- Paterson, M. (2007). The senses of touch: haptics, affects and technologies. New York, U.S.: Berg Publications.
- Roh, E. K. & Ryu, H. S. (2005). Visual texture image and preference of men's suit fabrics. Korean Journal of The Science of Emotion & Sensibility, 8(2), 117-128.
- Sauvagnargues, A. (2009). Deleuze et l'art. (J. H. Lee, Trans.). Paju, Republic of Korea: Youlhwhadang. (Original work published 2005)
- Segye (2005, ovember 24). Lipstick ad. Retrieved from http://www2.segye.com/Articles/News/Article.asp?aid=20051122000279
- Shim, H. R. (2003). Die grossstadt als der neue spielraum und das neue kunsterlebnis bei walter benjamin. A semiannually Journal of Philosophical Thought in Korea, 14(1), 225-250.
- Smith, M. M. (2010). Sensory history. (S. H. Kim, Trans.). Seoul, Republic of Korea: Subook. (Original work published 2007)
- Style.com (n.d.-a). Alexander mcQueen 2002 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2002-ready-to-wear/alexander-mcqueen/collection/9
- Style.com (n.d.-b). Alexander mcQueen 2008 S/S. Retrieved from http://www.vogue.com/fashion-shows/fall-2009-ready-to-wear/alexander-mcqueen/slideshow/collection#45
- Style.com (n.d.-c). Alexander mcQueen 2008 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2008-ready-to-wear/alexander-mcqueen/collection/52
- Style.com (n.d.-d). Alexander mcQueen 2007 F/W. Retrieved from http://www.style.com/slideshows/fashion-shows/fall-2007-ready-to-wear/alexander-mcqueen/collection/20
- Style.com (n.d.-e). Alexander mcQueen 2001 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2001-ready-to-wear/alexander-mcqueen/collection/24
- Style.com (n.d.-f). Alexander mcQueen 2008 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2008-ready-to-wear/alexander-mcqueen/details/7
- Style.com (n.d.-g). Alexander mcQueen 2009 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2009-ready-to-wear/alexander-mcqueen/collection/11
- Style.com (n.d.-h). Alexander mcQueen 2001 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2001-ready-to-wear/alexander-mcqueen/collection/76
- Style.com (n.d.-i). Alexander mcQueen 2009 S/S. Retrieved from http://www.style.com/slideshows/fashion-shows/spring-2009-ready-to-wear/alexander-mcqueen/collection/39
- Suh, S. H. & Kim, Y. I. (2013). Fashion as art through the expansion of aesthetic concept of contemporary art and fashion. Journal of the Korean Society of Clothing and Textiles, 37(4), 577-589. https://doi.org/10.5850/JKSCT.2013.37.4.577
- Svendsen, L. (2013). Fashion: a philosophy. (S. Y. Doh, Trans.). Seoul, Republic of Korea: MID. (Original work published 2006)
- Victoria and Albert Museum (n.d.-a). Cuirass. Retrieved from http://www.vam.ac.uk/museumofsavagebeauty/mcq/cuirass-back-plate/
- Victoria and Albert Museum (n.d.-b). Mussel bodice. Retrieved from http://www.vam.ac.uk/museumofsavagebeauty/mcq/mussel-bodice/
- Vasarely (n.d.). Vega-Ball. Retrieved from http://www.vasarely.com/site/site.htm
- Vernerpanton (n.d.). Spiegel. Retrieved from http://www.vernerpanton.com/vp_fabric/fabric.html
- Watt, J. (2014). Alexander mcqueen: fashion visionary (2nd.). London, United Kingdom: Goodman Books.
- Wilson, A. (2015). Alexander McQueen: Blood Beneath the Skin. New York, U.S.: Scribner.
Cited by
- An Observation of the Characteristics of Western Dress in Impressionist Painting : Focused on the Relationship between the Haptic Visuality of Fine Art and the Visual Tactility of Dress vol.68, pp.5, 2018, https://doi.org/10.7233/jksc.2018.68.5.040
- 패션 디자이너 브랜드 '알렉산더 맥퀸' 작품에 나타난 나비 이미지 패션 디자인 vol.23, pp.4, 2015, https://doi.org/10.12940/jfb.2019.23.4.24