초록
The study brought temporality that examined Malevich's pictoriality to the expression of Hadid's architecture design, aiming to examine deconstructive tendency through temporal feature that achieved interpretation of architectural form and space. The following tendencies were drawn as a spatiotemporal feature represented in Hadid's architectural design with Malevich's pictoriality in the background. First, it was found that the fragmented iconography in Hadid's illustrations was influenced by Malevich paintings, and the underlying cubist and futurist temporality was added to three-dimensional space, which was expressed as explosiveness. Second, the icons in Hadid's illustrations showed liveliness that grows in the existing architecture in order to bring images out of dynamic and connotative space, and temporality with playfulness as its medium in order to awaken space routines present in a phenomenon. Third, Hadid's illustrations made multiple simultaneous arrangements for vanishing points of multi-point and one point perspectives and combined the building site with surroundings by overlapping individual projections of plane, elevation and cross-section to represent infinity of time. Therefore, the characteristic of Hadid's architectural illustration is understood as a deconstructive text that reveals space and time to perceptual systems to embrace complex and diverse thinking that modern architecture requires.