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A Study on Cubism Fashion Style Appearing in Modern Fashion: Focused on the 2010 S/S-2013 S/S Paris Collection

현대 패션에 나타난 큐비즘스타일패션 연구: 2010 S/S - 2013 S/S 파리컬렉션을 중심으로

  • Choi, Yeree (Dept. of Fashion Art Graduate School of Art Fusion Design, Kyung Hee University) ;
  • Choi, Jeongwook (Dept. of Clothing & Textile Design, Kyung Hee University)
  • 최예리 (경희대학교 아트퓨전디자인대학원 패션아트학과) ;
  • 최정욱 (경희대학교 의류학과)
  • Received : 2014.01.10
  • Accepted : 2014.06.05
  • Published : 2014.06.30

Abstract

This study analyzed the group of experts who were related to cubism, selected among the works of 2010~2013 Paris Collection based on F.G.R.(Focus Group Research). According to the results of this study, there were appeared first, 'a one-piece dress' second, 'H silhouette' third, 'cotton', in case of item distribution and frequency. The analysis was done by using the manner of expression, cubical expression, exaggeration, distortion, dismantlement, geometrical division of face, mix-match look, wraparound repetition, asymmetric structure, etc. Based on the outcomes of the analysis on figurative design elements, this study adjusted three manners appearing on cubism fashion style. First, it was 'avant garde manner' of constitution or 'dismantlement' which was compiled into multi-view representations of overlaps and viewpoints by repetitive use of color tone trimming detail. Second, it was 'geomagnetic block placement' which expresses cubism with geometric partitioning of surface and separation of panel by cutting disintegration. Finally, it was 'distortion and simplification of silhouette' which is a distortion created by constitution-line pressed thin with silhouette. It maximizes the beauty of human body outline, which was distorted by three-dimensional-manipulation, and simplified by ellipsis for another shape for the extension or expansion of detail trimming.

Keywords

References

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Cited by

  1. An Analysis of the Characteristics of Geometric and Artistic Formativeness in Modern Fashion : Focusing on the Conceptual and Functional Modernism vol.68, pp.4, 2018, https://doi.org/10.7233/jksc.2018.68.4.036