DOI QR코드

DOI QR Code

현대예술 확장에 의해 예술로 수용된 패션의 본질적 속성

Inherent Properties of Fashion Accepted as Art through Expansion of Contemporary Art

  • 서승희 (성균관대학교 의상학과) ;
  • 김영인 (연세대학교 생활디자인학과)
  • Suh, Seung-Hee (Dept. of Fashion Design, Sungkyunkwan University) ;
  • Kim, Young-In (Dept. of Human Environment & Design, Yonsei University)
  • 투고 : 2013.04.26
  • 심사 : 2013.06.30
  • 발행 : 2013.09.30

초록

In researching the ontological status of fashion, a good grasp of fashion can decide the direction of fashion study. Fashion is sometimes considered an area of industry far from art from a point of view of purity of art, in spite of its aesthetic value and expression. However, art properties can be differentiated from the purity of art in modern aesthetics, and fashion properties which were the reason for that fashion to be considered as non-art can be affirmed as the same with properties of contemporary art properties. Therefore, the purpose of this study was to suggest the possibility that general properties of fashion can be accepted in the art arena through justifying art properties deviating from the purity of art. It can provide a boost to fashion's cultural status. For the research method, a literature review and case analysis were carried out through specialty publications related to art history, aesthetics, and fashion, regular publications and websites specializing in fashion, and art museums. Through the research, art properties deviated from the purity of art, which are; tactile sense, impermanence, dailiness, and commercial viability, were justified as being the same as fashion properties. These art properties were not general properties of fine art in modern aesthetics, but the ones occurring in contemporary arts. These properties, now present in contemporary art, can no longer disqualify fashion as a non-art.

키워드

참고문헌

  1. Miller, S. (2007), Fashion as Art; is Fashion Art?, Fashion Theory, 11(1).
  2. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, pp. 1-2.
  3. Takeuchi, T. (2003), 미학 예술학 사전, 안영길 외 역, 서울: 미진사, pp. 53-54.
  4. 김진엽, 하선규 (2007), 미학, 서울: 책세상, p. 10.
  5. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, pp. 14-15.
  6. 오병남 (2003), 미학강의, 서울: 서울대학교출판부
  7. Negrin, L. (2012), Aesthetics: Fashion and Aesthetics- A Fraught Relationship, Fashion and Art, Geczy, A & Karaminas, V. eds, London, New York: Berg, p. 44.
  8. Takeuchi, T. (2003), 미학 예술학 사전, 안영길 외 역, 서울: 미진사, p. 67.
  9. 박연숙 (2011), 예술의 탈신비화와 창조적 일상, 서강대학교 생명문화연구원, p. 119.
  10. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 15.
  11. Negrin, L. (2012), Aesthetics: Fashion and Aesthetics- A Fraught Relationship, Fashion and Art, Geczy, A & Karaminas, V. eds, London, New York: Berg, p. 45.
  12. Riout, D. (2006), 현대미술이란 무엇인가, 정진국 역, 서울: 눈빛, p. 396.
  13. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, pp. 137-138.
  14. Loschek, I. (2009), When clothes become fashion, New York: Berg, p. 169.
  15. Victorine Muller, Retrieved 2012, September 22, from http://highlike.org/victorine-muller/
  16. "Rebecca Horn", Retrieved 2012, September 22, from http://en.wikipedia.org/wiki/Rebecca_Horn
  17. Arnason, H. H. (2003), History of Modern Art: Painting, Sculpture, Architecture & Photography (5th ed.), NJ: Prentice Hall, p. 598.
  18. "Vanessa Beecroft", Retrieved 2012, September 22, from http://en.wikipedia.org/wiki/Vanessa_Beecroft
  19. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 138.
  20. Kounellis, J., "INSTALLATION: The Work of Jannis Kounellis", Retrieved 2013, April 2, from http://trendland.com/the-work-of-jannis-kounellis/
  21. Javacheff, C. & Jeanne-Claude, "Running fence", Retrieved 2013, Apri l2, from http://christojeanneclaude.net/projects/running-fence
  22. Jan Verwoert (2008), The Boss: On the Unresolved Question of Authority in Joseph Beuys' Oeuvre and Public Image, E-flux. Retrieved 2013, April 2, from http://www.e-flux.com/journal/the-boss-on-the-unresolved-question-of-authority-in-joseph-beuys%E2%80%99-oeuvre-and-public-image/
  23. 한국사전연구사 (1998. 8. 20), "일상성", 종교학대사전, 자료검색일 2013. 4. 12, http://terms.naver.com/entry.nhn?cid=282&docId=630740&categoryId=282
  24. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 144.
  25. Negrin, L. (2012), Aesthetics: Fashion and Aesthetics- A Fraught Relationship, Fashion and Art, Geczy, A & Karaminas, V. eds, London, New York: Berg, p. 51.
  26. Schusterman, R (2000), Performing Live, Ithaca, London: Cornell University Press, p. 4.
  27. Negrin, L. (2012), Aesthetics: Fashion and Aesthetics- A Fraught Relationship, Fashion and Art, Geczy, A & Karaminas, V. eds, London, New York: Berg, p. 52.
  28. Schusterman, R (2000), Performing Live, Ithaca, London: Cornell University Press, p. 358.
  29. 100 Years of Sculpture: From the Pedestal to the Pixel. Walker Art Center, Retrieved 2013, April 12, from http://www.walkerart.org/archive/9/B5235948DB5688CC616E.htm
  30. 임근혜 (2010), 창조의 제국: 영국 현대미술의 센세이션, 그리고 그 후, 서울: 지안출판사, p. 179.
  31. Tracy Emin-Contemporary Artists, Saatchigallery, Retrieved 2013, April 12, from http://www.saatchi-gallery.co.uk/artists/artpages/tracey_emin_my_bed.htm
  32. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 149.
  33. Sudjic, D. (2012), 사물의 언어, 정지인 역, 서울: 영신사, pp. 285-292.
  34. 월간미술 (2008. 7), 미술 디자인의 믹스앤매치, 미술 상품의 부흥. 월간미술, 자료검색일 2012. 10. 2, http://monthlyart.com/html/checkList/index.php?tp=special&si=s05&search_m=0807
  35. 정연심 (2008. 7), 고급과 저급의 경계를 허문 상업예술의 천국, 월간미술, 자료검색일 2012. 10. 2, http://monthlyart.com/html/checkList/index.php?tp=special&si=s02&search_m=0807
  36. Other Criteria, Retrieved 2013, April 12, from https://www.othercriteria.com/browse/hirst/
  37. Decorate, ShowroomDummies, Retrieved 2013, April 12, from http://www.abigaillane.co.uk/SHOWROOMDUMMIES-WEBSITE/sf_main.html
  38. 조민규 (2008. 7), 런던에서 만난 yBa가 만든 상품과 쇼윈도, 월간미술, 자료검색일 2012. 10. 2, http://monthlyart.com/html/checkList/index.php?tp=special&si=s03&search_m=0807
  39. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 151.
  40. Schusterman, R (2000), Performing Live, Ithaca, London: Cornell University Press, p. 316.
  41. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 137.
  42. Schusterman, R (2000), Performing Live, Ithaca, London: Cornell University Press, pp. 493-511.
  43. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, pp. 152-153.
  44. Loschek, I. (2009), When clothes become fashion, New York: Berg, p. 134.
  45. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 153.
  46. 정순복 (2007), 예술로서의 일상:경험론적 함의와 그실체-존 듀이의 미학을 우리 일상에 접목시켜 행복하게 살기 위하여, 미학, 김진엽, 하선규 편, 서울: 책세상, p. 454.
  47. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, p. 145.
  48. Boodro, M (1990. 9), Art & Fashion: A Fine Romance, Art new, pp. 120-127.
  49. 서승희 (2013), Artification of Fashion through the Expansion of Contemporary Art, 연세대학교 대학원 박사학위논문, pp. 178-179.
  50. 강태희 (2007. 2), "미술과 패션 그리고 패션사진", 월간미술, 자료검색일 2012. 10. 2, http://www.monthlyart.com/html/05_article/0702/ac02.php
  51. 김진엽, 하선규 (2007), 미학, 서울: 책세상, p. 404.