Journal of the Korean Society of Costume (복식)

The Korean Society of Costume (한국복식학회)
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A Study on the Classification and Versatility of Sarong

사롱의 유형과 가변성에 관한 연구

  • Shin, Heysung (Dept. of Clothing and Textiles, Ewha Womans University) ;
  • Lee, Eunjin (Dept. of Clothing & Textiles, Gyeongsang National University)
  • 신혜성 (이화여자대학교 의류학과) ;
  • 이은진 (경상대학교 의류학과)
  • Received : 2012.11.13
  • Accepted : 2013.06.16
  • Published : 2013.08.31
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Abstract

This thesis is based on the study of formativeness and versatility of Sarong. For the aim of the research, Sarongs were classified into two types: rectangular and tube, using its original form as the basis. These two types of Sarongs were divided into more detailed groups depending on the purposes of attire, such as skirts, dresses, and capes. To look into the formativeness and versatility of Sarong, the usage of wear and expression methods were observed based on these categories. The following results were found regarding the versatility of Sarong: First, Sarong has a wide degree of versatility in terms of usage. It can be worn as a skirt, a head scarf, a dress, a cape, or used as a carrier or even a sleeping bag, based on one's intention. The change of usage is often accompanied with the change of forms, as can be shown by the longyi of Myanmar, the tube type Sarong, which is used as briefs. Second, Sarong has a wide degree of versatility in terms of function. Variations of instrumental and expressive function of Sarong are observed simultaneously. The physical function sometimes coincides with the changes of usage as mentioned above. The way that Sarong's are expressed in different social situations changes depending on the wearer's social status, religion, or origin. So by looking at the way a Sarong is worn, others can tell if a person is going to social events such as festivals and weddings. Third, Sarong has a wide degree of versatility in terms of design. However, even if same usage and function is pursued, the design can be different based on an individual. This is because the external change of Sarong is affected by individuality or aesthetic sense of the wearer.

Keywords

References

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