한국의류학회지 (Journal of the Korean Society of Clothing and Textiles)

  • 제36권7호
  • /
  • Pages.741-755
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  • 2012
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  • 1225-1151(pISSN)
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  • 2234-0793(eISSN)
한국의류학회 (The Korean Society of Clothing and Textiles)
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조선시대 복식공예품의 텍스타일 패턴구성에 관한 연구

A Study on Textile Patterns-Composition for the Costume Craftworks in the Chosun Dynasty

  • 현선희 (조선대학교 문화예술산업연구소) ;
  • 손영미 (조선대학교 미술대학 디자인학부)
  • Hyun, Seon-Hee (Culture & Art Industry Institute, Chosun University) ;
  • Shon, Young-Mi (Division of Design, College of Arts & Design, Chosun University)
  • 투고 : 2012.04.18
  • 심사 : 2012.05.30
  • 발행 : 2012.07.31
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초록

This study mathematically and scientifically investigated the aesthetic consciousness of women inherent in the costume craftworks craftworks of the Chosun Dynasty through a systematical analysis of their textile pattern composition using visual language theory. The tangent value from the horizontal and vertical ratio of the costume craftworks craftworks indicated that they had an indigenous proportion system with a relatively regular form and pattern but without an exaggerated type. There was a module based on structures in the textile patterns of the costume craftworks craftworks and the patterns were constructed by the module with the syntagms of the ratio structure. Moreover, the analysis of the pattern designs indicated that the whole form of the costume craftworks craftworks was built through a repetitive structure of feature and one of pattern units; in addition, the craftworks had the extended composition and blank space of daring patterns, an important factor to make a whole design. Therefore, our study suggested that the costume craftworks craftworks of the Chosun Dynasty was characterized by the presentation of the aesthetic style with a Geumgang ratio (an indigenous proportion system used in Korea) and could be interpreted as an art style based on the beauty of space. Moreover, it is suggested that the spirit inherent in the costume craftworks of the Chosun Dynasty (which tried to understand the whole as one and equate the whole and parts) might agree with a holistic tendency as the foundation of Korea art.

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참고문헌

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