A Study on the Production System of Stage Costume for Theatre 'Picasso's Women'

연극 '피카소의 여인들'의 무대 의상 제작 시스템에 관한 연구

  • Received : 2010.10.17
  • Accepted : 2011.02.04
  • Published : 2011.02.28

Abstract

Today, a variety performance premiered in Korea, works of art as an advanced production planning and production system is becoming. Accordingly, the field of stage costume also increased collaboration with foreign producers and production systems and the advancement of the stage costume are required are becoming. The opening performance of the 30th anniversary of the Seoul Theater Festival was selected as Towol Theater Theater in 2009, April 16 to 26 of Picasso's women's costume is the study of production systems. This work directing and stage design by inviting domestic producers from foreign fields, and co-authored the work in the field of stage costumes in collaboration with foreign producers that are worth study and research work. In this study, this work has a practical study of costumes throughout the production system, an advanced stage costumes to contribute to the development of the field. The research methodology book data, collected papers, Internet resources through research and theoretical studies play 'Picasso's women's stage production of the award total to an empirical study was undertaken. The results of this study are as follows. First, the costume director for making a scholarly grasp of the direction of the investigation is ongoing throughout the process of creating the costumes. Second, foreign producers and co-author of the stage when the award, if other than purely domestic producers and create costumes to build production systems. Third, foreign producers and co-costume design and costume making coherent explanation for the processing of the list(Costume Breakdown List) are developed. Fourth, the actual performance over the director's intention to visualize the presentation was good enough, and the idea of the costume crew was taken to the director's idea of directing a play that reflected the will has a big meaning.

Keywords

References

  1. 구민수 (2004). "뮤지컬 아이다의 무대 의상디자인 연구." 동덕여자대학교 패션전문대학원 석사학위논문.
  2. 김현숙 (1995). 무대 의상디자인의 세계. 서울: 고려원.
  3. 박기정 (1998). "무대 의상을 위한 효율적 디자인 과정." 홍익대학교 산업미술대학원 석사학위논문.
  4. 신시컴퍼니 (2009). 피카소의 여인들 공연 팜플렛 (신시컴퍼니).
  5. 유선아 (2008). "뮤지컬 루나틱의 무대 의상디자인." 경원대학교 대학원 석사학위논문.
  6. 이승연 (2007). "실물 제작을 통한 오페라 '마술피리-The Magic Flutre' 무대 의상 연구." 중앙대학교 예술대학원 석사학위논문.
  7. 이지선 (2009). "체계적인 무대 의상 디자인 과정의 연구: 뮤지컬 드라큘라를 중심으로." 상명대학교 문화예술대학원 석사학위논문.
  8. 이태섭, 구근회, 최순현 (2001). 공연 제작의 실제. 서울: (주)아르케라이팅아트.
  9. 최승규 (2004). 피카소의 연인들. 서울: 한명출판.
  10. 최영로, 임영자 (2007). "뮤지컬 '크리스마스 캐롤'의 무대 의상 제작에 관한 연구." 복식 57권 3호.
  11. 최지은, 윤선미, 윤보연, 배수정 (2004). "무대 의상을 위한 18세기 복식의 현대적 제작방법 (제1보): Habit a la Francaise를 중심으로." 복식 54권 7호.
  12. "네가지 시선으로 본 피카소의 생애 연극 [피카소의 여인들]", 뉴스컬쳐 (2009년 4월 25일 [2009 년 5월 1일 검색]); available World Wide Web @http://www.newsculture.tv/sub_read.html?uid=11275§ion=sc1§ion2=연극
  13. Benedett, Robert L. (1985). The Diretor at Work. New Jersey: Prentice-Hall Inc.
  14. Gary, Thorn (2001). Designing Stage Costume. Wiltshire: The Crowood Press Ltd.
  15. Griffiths, Trevor R. (1982). Stagecraft. London: Phaidon Press Ltd.
  16. Prisk, Berneice (1996). Stage Costume Hand-book. New York: Harper & Row Publisher.
  17. Russell, Douglas A. (1973). Stage Costume. New Jersey: Prentice Hall.