An Analysis on Structures of Man's Costume in Byzantine Empire

  • Published : 2004.12.30

Abstract

The forms of man's costumes in Byzantine Empire were changed according to each composition of costumes. Those forms of costumes had common features of each period when costumes were included. At the same time, however, the fact that differences existed in accordance with a social position including gender, class, occupation, etc. even though in same period were showed. Analytic elements of man's costumes in Byzantine Empire were selected by important factors. This showed the meanings of position and class in that time. The kinds of analytic elements in man's outwear were various but the forms of costumes were not developed because christianity influenced the forms of clothing in the Middle Ages. As the result of synthesis, the main factor of man's costumes was a tunic in Byzantine Empire of the Middle Ages The phases of the times were reflected on the structure of man's costumes in Byzantine Empire. In particular, religious feature was emphasized, and analytic elements of costumes having meanings showed the features of the society at the Middle Ages. For example, a central analytic element of man's costume, an outer garment was a tunic style of H-silhouette that hid the body line. This was influenced by the phases of the times. Namely, the costume stands as a symbol of the times, and also is a cultural sign that reflects phases like politics, economy, religion.

Keywords

References

  1. So, Doo-Young, Structuralism, Mineumsa, 1984, p. 37
  2. Terence Hawkes․Oh, Won-Kyo trans. Structuralism and Semiotics, Sinahsa, 1993, pp. 20-21
  3. So, Doo-Young, Structuralism and Semiotics, Sinahsa, 1993, p. 38
  4. So, Doo-Young, Structuralism and Semiotics, Sinahsa, 1993, p. 115
  5. So, Doo-Young, Structuralism and Semiotics, Sinahsa, 1993, p. 98
  6. Barthes, Roland ․L, Annette trans. Mythologies, Hill and Wang, 1983, p. 115
  7. Lee, Seoung-Hee, A Semiotic Analysis on the Military Uniform, Master's thesis for Sangmyung Univ., 1995, p. 17
  8. Kim, Kyung-Young, What is Semiotics, Mineumsa, 1991, pp. 99-101
  9. Ferdinande de Saussure․Oh, Won-Kyo trans. Course in General Linguistics, Hyungsulchoolpansa, 1973, pp. 61-62
  10. Han, Myung-Sook, A Structural Analysis of Dress Phenomena in Korea, Doctoral Dissertation for Hanyang Univ., 1987, p. 57
  11. So, Doo-Young, A Structural Analysis of Dress Phenomena in Korea, Doctoral Dissertation for Hanyang Univ., 1987, pp. 178-179
  12. Yoon, Jeom-Soon, The Structural Analysis of Dress Style in the Middle and the Modern Age, Doctoral Dissertation for Sangmyung Univ., 1997, p. 14
  13. Russell, Douglas A., Costume History and Style, Prentice Hall, 1983, p. 91
  14. Cho, Joah-Ho, History of World Culture, Parkyoungsa, 1990, p. 205
  15. Russell, Douglas A., op.cit, p. 92
  16. R. Turner Wilcox, The Mode in Costume, Charles Scriber's Sons, 1969, p. 33