A Study on Metonymy of the Image-Space and the Symbol - Focused on the image of the Gothic Cathedral in the Middle Age -

상징과 이미지공간의 환유 - 고딕 성당 건축의 이미지 -

  • 김미옥 (서일대학교 실내디자인과) ;
  • 심희정 (홍익대학교 대학원 미학전공)
  • Published : 2004.06.01

Abstract

1"his Study is to make research a Image and Symbol in the Gothic Architecture. Firstly, the concept of the symbol and the image effect are essentially based on the meaning that the activity of consciousness take on the constitution of the symbol. Therefore the image represent the deepest content of human nature has been imagination and reality. Secondly, the symbol concept showed in Gothic Architecture was associated with the passion of the order of middle ages. The world, the cosmos and the history had been revealed in Gothic architecture. In Gothic Image, Emile Male maintained the symbol of the Catholic Church as above mentioned. The Catholic Church was mirror of the natural, the institution, the moral and history, then this passion of the order was a christian order. Especially, E. Panofsky said that the scholastic method was shown in Gothic architecture. He assert that it was especially dialectic method used in theology. That is, he explained the transfiguration of Gothic Architecture with the process of thesis, anti-thesis, synthesis. These symbolize light, magnitude, clearness. Finally, symbolic image is important in Post-Modem architecture at present. Post-Modern architecture is associated with the public and the Pluralism. Post-Modern architecture attempt to communicate as symbolic language among the assumption for diverse aspect of culture.

Keywords

References

  1. S.B.Matheson, D.D.Churchill, Modem Gothic : The Revival of Medieval Art, Publisher: Harvard Univ., Art Museums, 2002
  2. C.Brooks, The Gothic Revival(Art and Ideas), Publisher: Phaidon Press Inc, 1999
  3. Megan Aldrich, Gothic Revival, Phaidon Press, 1997
  4. Dictionary of The History of Ideas, P.P.winerd, ed., vol,I Charles ribner's Sons, New york. 1978
  5. E.Cassirer, An Essay on Man : An Introduction to a Philosophy of Human Culture, Yale Univ. Press, 1944
  6. F. Silvia, Cassirer, Panofsky, and Warburg: Symbol, Art and History, Richard, Yale Univ., Press, 1989
  7. Christian Norberg-Schulz, Toward a Phenomenology of Architecture, tr.,Genius Loci, New York, 1980
  8. A.N.Whitehead, 정연홍 역, Symbolism: Its Meaning and Effect, G. P. 1959
  9. F.Th.Vischer, 'Das Symbol': $\ddot{A}$sthetick oder Wissenschaft des Sch$\ddot{o}$nen, M$\ddot{u}$nchen, 1920
  10. E. Cassirer, Philosophie der symbolischen Formen, vol. III., Oxford. 1954
  11. The Dictionary of Art, Jane Turner ed., Vol. 28, Grove, 1996
  12. Rensselaer W. Lee, Ut Pictura Poesis The Humanistic Theory of Painting, The Norton & Company, New York
  13. Emil M$\^{A}$le, The Gothic Image, Religious Art in France of Thirteenth Century, Harper & Row Publishers, 1972
  14. Peter Fingesten, The Eclipse of Symbolism, Univ.of South Carolin Press, 1970
  15. C. Jencks, The New Modem: From Late to Neo-Modemism, London, Academy Ed., 1990
  16. Adolf Katzenellenbogen, 박은영 역, 미덕과 악덕의 알레고리 : 중세미술, 조형교육, 2000
  17. 天野洋, 진중권 역, 예술 . 기호 . 정보, 새길, 1992
  18. 임석재, 장식과 구조미학 : 불어권 아르누보 건축 I, 발언, 1997
  19. 유평근 . 진형준, 이미지, 살림출판사, 2003
  20. 주은우, 시각과 현대성, 한나래, 2003