The Research Journal of the Costume Culture (복식문화연구)
- Volume 8 Issue 6
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- Pages.940-948
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- 2000
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- 1226-0401(pISSN)
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- 2383-6334(eISSN)
Orientalism in Van Noten′s Collections : in His Late 1990s Collections
반 노튼(Van Noten)의 작품에 나타난 오리엔탈리즘 - 1990년대 후반을 중심으로 -
Abstract
This paper analyzed the collections of Dries Van Noten and found the influences of oriental ethnic costumes. The oriental looks which he had shown in his collections are followings : Largely, the menswear designs of Van Noten took the concept of an easy and loose style which is a common shape in oriental ethnic costumes. Especially various transformations of layered look were found in his collections. Design ideas of Van Noten's womenswear style included variations of a sarong style, a kimono style, and etc. Also in his womenswear collections, various styles of layered look were shown. He often used lustrous fabrics like satin, brocade, and damask which are driven from the oriental region. His collections had Chinese dragon-or flower-pattern, Japanese geometric pattern, and Indian henna pattern. The patterns were embroidered or gilded.