• Title, Summary, Keyword: 무대 디자인

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무대의상 디자인에 관한 연구 -Antonin Artaud의 Les Cenci를 중심으로-

  • 손영미
    • Proceedings of the Costume Culture Conference
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    • pp.118-120
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    • 2003
  • 종합예술인 한편의 연극을 무대에 올리는 데는 다양한 것이 요구된다. 즉 미술, 음악, 무용, 문학 등이 있으며 여기에 등장인물의 개성을 가장 잘 표현해 주는 무대의상이 필요한 것이다. 특히 무대의상은 작품 속의 등장인물의 역할을 설명하는 기호의 의미를 내포할 뿐만 아니라 관객들에게 작품의 내용을 더욱 리얼하게 이해하게 하는 설득력의 도구적 표현능력을 지니고 있다. (중략)

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A STUDY ON LIGHTING SIMULATION SYSTEM (통합형 무대 디자인 시스템 연구 -조명 시각화 및 통제 시스템에 관하여-)

  • Lee, Dong-Hun;Jang, Tae-Soo;Shin, Ho
    • 한국HCI학회:학술대회논문집
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    • pp.851-854
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    • 2009
  • This Research suggest that key features of lighting simulation and intuitive theaterical design method can unify single system. It can produce the virtual scene of stage which is able to predict the number of lighting box and design budget. the final goal of this research is unifying lighting and stage design into on single system.

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Remediation in Tradition Theatrical Stage Design (전통적 연극무대디자인의 재매개)

  • Jung, Min-Soo
    • The Journal of the Korea Contents Association
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    • v.8 no.12
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    • pp.207-213
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    • 2008
  • For decades, we have filled our theme parks, shopping malls, a streets and etc. with complementary or competing medias. These spaces have remedied newspapers, magazines, radio, TV and film or have been the object for remediation. Because there has been no remediation in traditional theatrical stage design, many problems come along with the design, which makes audiences hard to feel the sense of presence. It's time to have systematic research to find a way out for the solution of traditional theatrical stage design. This study suggests the solutions for remediation of traditional theatrical stage design, so we are going to research with laying emphasis on the cooperative works between the fields of theatrical stage design and the Visual Effects par that forms extensive and diverse portions. The proposal for remediation of traditional theatrical stage design with practical use of Visual Effects will create economical higher value-added through the systematization of close and cooperative work between the fields of Visual Effects and theatrical stage design. In addition, the systematization of the cooperation of these two parts will make another communicative paradigm that audiences have never been able to experience before in traditional theatrical stage design.

Study on stage hologram production for performing arts (공연예술을 위한 무대 홀로그램 연출에 관한 연구)

  • Lee, Hochul;Kang, Hyosoon
    • Journal of Korea Game Society
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    • v.18 no.3
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    • pp.79-86
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    • 2018
  • Hologram that usually used in modern art performance and movie, is now also used in different area such as architecture, car design, IT, medicine, design and different types of multi-media art performance. This study is to analyze how hologram works in stage production and affect in variety types of art performance and also how it affects in future art performance.

Development of the Multi-stage System with 4 DOF (4자유도 모션이 가능한 복합 무대 시스템 개발)

  • Lee, Sang-Won;Won, Daehee;Lee, Sulhee
    • The Journal of the Korea Contents Association
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    • v.15 no.5
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    • pp.18-26
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    • 2015
  • In this paper, we presented a design and control method of multi-stage with wagon and lift stage. Multi-stage system has 4 degree-of-freedom(DOF), i.e., forward/backward/left/right/rotate and up/down motion. Wagon mechanism in the type of two wheel and steering is proposed in order to improve for the maneuverability compared to the existing differential-type wagons. Also, the lift mechanism is designed by interlocking type in order to make the maximum height bigger than 10 times of the original height. We also proposed a path planning algorithm. The performance of the propped system is validated via multi motion experiments, so that the multi-stage system is useful for various performances production.

GAN-based Dance Performance Visual Background Generation Method using Emotion Analysis on Lyrics (가사의 감정 분석을 이용한 GAN 기반 댄스 공연 배경 생성 방법)

  • Yoon, Hyewon;Kwak, Jeonghoon;Sung, Yunsick
    • Proceedings of the Korea Information Processing Society Conference
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    • pp.530-531
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    • 2020
  • 최근 인공지능을 활용하여 예술 작품에 몰입할 수 있도록 무대 효과를 디자인하는 연구가 진행되고 있다. 무대 효과 중에서 무대 배경은 공연의 분위기를 형성한다. 춤의 장르별로 무대 배경에 사용되는 이미지를 생성하기 위해 소셜 미디어 기반 무대 배경 생성 시스템이 있다. 하지만 같은 장르 춤은 동일한 무대 배경 이미지가 제공되는 문제가 있다. 같은 장르의 춤이지만 노래의 분위기를 반영하여 차별된 무대 배경 이미지를 제공하는 것이 필요하다. 본 논문은 노래 가사의 감정을 활용하여 Generative Adversarial Network(GAN)을 통해 각 노래의 분위기를 고려한 무대 배경 이미지를 생성하는 방법을 제안한다. GAN은 노래에 포함된 단락별 감정 단어를 추출하여 스타일을 생성하도록 학습된다. 학습된 GAN은 노래 가사에 포함된 감정 단어를 활용하여 곡의 분위기를 반영한 무대 배경 이미지를 생성한다. 노래 가사를 고려하여 무대 배경 이미지를 생성함으로써 곡의 분위기가 고려된 무대 배경 이미지 생성이 가능하다.

A Study on the Rhetorical Expression of Scene Design in Theatre - Focused on the Analysis of Scene Design of "King Lear" - (연극 무대 공간 디자인의 수사학적 연구 - 세익스피어 작 "리어왕"의 무대 공간 디자인 사례분석을 중심으로 -)

  • Ahn, Ju-Young
    • Proceedings of the Korean Institute of Interior Design Conference
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    • pp.176-180
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    • 2007
  • The stage space in theatre for the performance of a play requires two aspects of the physical space for a play and the image as the background or the theme of a play. This research focuses on the scene design that creates the background or the theme of a play and communicates it to the audience. The scene design is composed of various design elements of space and objects as the properties of a play. Design elements and the objects are the design languages in various form; plane, three-dimensional, multi-dimensional form. These design language have the significant meaning as a sign like human language. The scene design is completed with rhetorical expression for communication in theatre. This research defines the category of meaning that design elements of scene design can create and the rhetorical expression of the scene design language. King Lear directed by Robert G. Anderson was analyzed with the category of design elements as a sign and the pattern of the rhetorical expression. The scene design for a play is completed effectively by the rhetorical expression of design elements as the design language for communication with the audience in theatre.

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A Study on the Rhetorical Expression of Scene Design in Theatre - Focused on the Case Study of the Scene Design of King Lear - (연극 무대 공간디자인에 대한 수사학적 연구 - 세익스피어 작 "리어왕"의 무대 공간디자인 사례연구를 중심으로 -)

  • Ahn, Ju-Young
    • Korean Institute of Interior Design Journal
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    • v.16 no.3
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    • pp.21-29
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    • 2007
  • The communication in a play has a dual structure, which is composed of the communications within a play and in a theatre space. This research focuses on the scene design that creates the background or the theme of a play and communicates theme of a play to the audience. A scene design of a theatre has meta-linguistic aspects, which is the image or mood as the theme of a play. The scene design is composed of various design elements of space and objects as the properties of a play. Design elements and the objects are the design languages in various form; plane, three-dimensional, multi-dimensional form. These design languages have the significant meanings as signs like human language. The play works chooses the rhetorical expression to arouse the audience's sympathy. The scene design is completed with rhetorical expression for communication in theatre too. This research defines the category of meanings that design elements of scene design can create and the rhetorical expression of the scene design language. King Lear directed by Robert G. Anderson was analyzed with the category of design elements as a sign and the pattern of the rhetorical expression. The scene design for a play is completed effectively by the rhetorical expression of design elements as the design language for the communication with the audience in theatre.