DOI QR코드

DOI QR Code

An exploratory study for conceptualizing a communication model in choral music

코랄 커뮤니케이션 모델의 개념형성을 위한 시론적 연구

  • Kim, Hyung-Il (Dept. of Journalism & Communication, Far East University)
  • 김형일 (극동대학교 언론홍보학과)
  • Received : 2015.05.19
  • Accepted : 2015.07.20
  • Published : 2015.07.28

Abstract

This study is conducted for the purpose of conceptualizing a choral communication model. first, the musical communication models analyzed to know how it can apply in the choral music. As a result, we take the music communication is the interaction between composers, performers and audience. But the choral music have properties not found in the general music. The choral music is the need for internal communication process before performing music. First, the conductor is to interpret the music. Next, choral members are shared the interpretation of music. This internal communication be conducted properly, musical communication with the audience will be successful. The trial model provided for in this study will be a guideline for successful communication in the choral music, theoretically or practically.

Keywords

chorus;music psychology;musical communication;reciprocal feedback model;inner communication

Acknowledgement

Supported by : 극동대학교

References

  1. Eun-Ki, Min, Hye-Seung, Shin & Jiho, Jeon, Understanding of Western Music, Seoul: Yesol
  2. Irkwon, Jeong & Airee, Loh, "Communication Process of Classic Music Performance", Communication Theory, 6(2), pp.48-81, 2010
  3. Juslin, P. N. & Laukka, P., "Communication of emotions in vocal expression and music performance: Different channels, same code?", Psychological Bulletin, 129, pp.770-814, 2003 https://doi.org/10.1037/0033-2909.129.5.770
  4. Weber, W., "Mass Culture and the Reshaping of European Musical Taste 1770-1870", International Review of The Aesthetics and Sociology of Music, 8(1), pp.5-21, 1977 https://doi.org/10.2307/836535
  5. Zukerkandl, V., The Sense of music, Princeton University Press, 1959
  6. Watanabe Hiroshi, Birth of Audience, Tokyo: Shunju Sha, 2004
  7. Gabrielsson, A., "Interplay between analysis and synthesis in studies of music performance and music experience", Music Perception, 3(1), pp.59-86, 1985 https://doi.org/10.2307/40285322
  8. Kendall, R. A. & Carterette, E. C., "The communication of musical expression", Music Perception, 8, pp.129-64, 1990 https://doi.org/10.2307/40285493
  9. Juslin, P. N., "Five facets of musical expression: A psychologist's perspective on music performance" Psychology of Music, 31(3), pp.273-302, 2003 https://doi.org/10.1177/03057356030313003
  10. Juslin, P. N., "From mimesis to catharsis: expression, perception, and induction of emotion in music", in Miell, D., MacDonald, R. & Hargreaves, D. J.(eds.). Musical Communication, Oxford, UK: Oxford University Press, pp.85-115, 2005
  11. Shannon, C. E. & Weaver, W., The mathematical theory of communication. Urbana: University of Illinois, 1949
  12. Cross, I., "Music and meaning, ambiguity and evolution", in Miell, D., MacDonald, R. & Hargreaves, D. J.(eds.). Musical Communication, Oxford, UK: Oxford University Press, pp.27-43, 2005
  13. Small, C., Musicking: the meaning of performing and listening, 1998
  14. Hargreaves, D. J., MacDonald, R. & Miell, D., "How do people communicate using music?", in Miell, D., MacDonald, R. & Hargreaves, D. J.(eds.). Musical Communication, Oxford, UK: Oxford University Press, pp.1-25, 2005
  15. North, A. C. & Hargreaves, D. J., "Musical preferences during and after relaxation and exercise", The American journal of psychology, 113(1), 43-67, 2000 https://doi.org/10.2307/1423460
  16. Hyung Il, Kim, Choral Communication, Seoul: Communication Books, 2014
  17. Robinson, R., "The challenge of choral leadership in the 21st century", in Webb, G. B.(ed.), Up Front! Becoming the complete choral conductor, Boston, MA: Schirmer Music Company, pp.15-34, 1993
  18. Marvin, J., "Mastery of choral ensemble", in Webb, G. B. (ed.), Up Front! Becoming the complete choral conductor, Boston, MA: Schirmer Music Company, pp.137-172, 1993
  19. Jun-cheol, Hong, For Choral Conductor, Seoul: Yesol Publishing, 2008
  20. Robinson, R. & Winold, A., The choral Experience. IL: Waveland press, 1992
  21. Paine, G., "Score selection, study, & interpretation", in Webb, G. B.(ed.), Up Front! Becoming the complete choral conductor, Boston, MA: Schirmer Music Company, pp55-104, 1993