A Study on the Design Tendency of Contemporary Architecture Introducing New Media Art Concept - Focusing on the change for way of information transmission change and media development -

뉴 미디어 아트의 개념을 도입한 현대 건축의 디자인 경향에관한 연구 - 미디어 발전과 정보 전달 방식의 변화를 중심으로 -

  • Received : 2010.12.31
  • Accepted : 2010.04.09
  • Published : 2010.04.30

Abstract

The purpose of this study is to pronounce design trends in contemporary architecture collaborated with new media art concept. Currently, the prevalence of media presence has evolved perspectives on contemporary aesthetics today. To make clear demonstration on the issue, this study categorized new media art's expressional characteristics applied in the contemporary architectural design in conjunction with analytical researches on typologies and expressional characteristics appear in new media art. More specifically, the study selected architects who adopted new media art's expressional characteristics into their works from the year 2000 and performed analytical case studies with regard to the effect of the new media art into their architectural practices. By following methodologies mentioned above, conclusively the study categorized distinct expressional characteristics appears in contemporary architecture as a result of merging with new media art. The characteristics of the new media art appeared in contemporary architecture are categorized into three groups such as the design controlling external environment, the design utilizing web environment and the design participated by users. These observation could be translated that architects could present interactive design between users and building as a result from architect's capability of designing protocols which generate variable forms, colors and patterns in architecture. In particular, architecture utilizing web environment has characteristic capability of configurating user's program in virtual space. Also it is anticipated to suggest new patterns in generating architectural programs and forms. These patterns would not recognize the city merely as an incident or fragmented image but would configurate forms and images constructed by individual notional character. In conclusion, the architecture itself is expected to perform as media to open up opportunities that enables to contribute in expediting interactions among environment, users, and buildings by deviating from perspectives of representation as an object expressed in modernism architecture or as a classical decoration in post-modernism architecture in the past era.

Acknowledgement

Supported by : 남서울대학교

References

  1. Walter Benjamin, 기술복제시대의 예술작품 사진은 작은 역사 외, 최성만 옮김, 도서출판 길, 2007
  2. 진중권, 진중권의 현대미학 강의, 아트북스, 2007
  3. 정인하, 현대 건축과 비표상, 아카넷, 2006
  4. 박기순 지음, 인간, 매체, 커뮤니케이션, 커뮤니케이션북스, 2000
  5. 이성민, FORM & FACADE Contemporary Facade, spacetime, 2007
  6. 이순요. 양선모 공저, 감성공학, 청문각, 서울, 1999
  7. Alvin Toffler, 제3의 물결, 이규행 역, 한국경제신문사, 1989년
  8. 이진경, 들뢰즈: 사건의 철학과 유물론, 푸른숲, 1997
  9. 명필수, 이토 토요의 센타이 미디어테크를 통한 도시 건축의장에 관한 연구, 서울대학교 대학원, 박사학위 논문, 2004
  10. 김현정, 공간과 표피성(space and surface), 공간 정기간행물 466, 2006
  11. 윤준성, 전자매체 예술의 미학적 해석에 관한 고찰, 미학 제40집, 2004
  12. Stephen Kovats, Avan-garde as software, in Ostranenie, ed. 1999
  13. 김윤태, 공공디자인에서 인터렉티브 미디어아트의 활용연구, 기초조형연구, vol.8, No.2, 2007 참조
  14. Maia Engeli, bit and spaces, birkhauser, 2001
  15. 공간 정기간행물 통권 444, 2004년 11월호
  16. 공간 정기간행물 통권 466, 2006년 9월호